7-23. Extreme Measures.

Sloan lays one last trap for Dr. Bashir - inside his own mind!

THE PLOT

Odo is dying.

The Changeling virus created by Section 31 has advanced to a terminal stage, and he now has just 1 - 2 weeks to live. Dr. Bashir can make him comfortable, but cannot save him. He does have one idea, however - To lure a Section 31 operative to the station by sending a fake message to Starfleet Medical indicating that he's discovered a cure.

The bait is taken, and the trap sprung on - who else? - Sloan (William Sadler). Bashir traps the agent in a force field... But before he can interrogate Sloan, the man activates a suicide capsule. The doctor is able to temporarily stabilize him, but Sloan is already too far gone to reawaken.

Which leaves just one option to find the information he needs. He and O'Brien use Techno (Medo?)-babble devices to travel into Sloan's subconscious mind, entering the dying man's dreamscape to learn how to cure their friend before it's too late!


CHARACTERS

Capt. Sisko: When Bashir and O'Brien inform him of their plan, he indicates it's a "pretty long shot," but does not shut it down. Even when he discovers Bashir and O'Brien invading Sloan's mind, he does not stop them; and when they finally come to, just as Sloan dies, he doesn't spare a second for the late, unlamented agent. He just asks if they located the cure... Another example of how much more ruthless and goal-oriented the Sisko of recent episodes has become.

Bashir/O'Brien: The interactions between Bashir and O'Brien help to keep us invested in their disappointingly pedestrian trip down the rabbit hole. The first thing they encounter upon entering Sloan's subconscious is... the DS9 turbolift. They cling to the rails as if for dear life, each goading the other to let go first before finally agreeing to do so together. A later scene has them talking about their friendship vs. their respective romantic relationships. Bashir confesses that he is passionately in love with Ezri, but that he likes O'Brien "a bit more." O'Brien amusingly (unconvincingly) denies the same with regard to Keiko vs. Bashir. It's a funny, genuine moment.

Odo: Gets a standout scene at the start, when he pushes Kira to go back to Damar. He insists that she has to go, and tells her flatly that he wants her to leave. "You watched Bareil die in this very room, and I know how that's haunted you. I don't want your last memory of me to be witnessing my death." Rene Auberjonois and Nana Visitor are terrific, providing an emotional resonance lacking in the rest of the piece.

Sloan: There is one scene that indicates Sloan might have been used to provide that resonance. When Bashir and O'Brien enter his mind, they are almost immediately greeted by the dying man - But a much more open and affable version of him, who desperately wants them to witness his apology to his friends and loved ones. The scene underscores that people like Sloan usually go into their line of work with patriotism and good intentions. That this more human version ends up being assassinated by Section 31 Sloan is a rather obvious bit of symbolism, but it's not ineffective. If only the episode had devoted a little more time to the idea of a good man corrupted by his own work, rather than dodging into a weak Third Act fakeout that wouldn't fool a small child.


THOUGHTS

Just to get this out of the way up front: Extreme Measures is fine, as far as it goes. It does its job in advancing the overall story, while at the same time working as an episode in its own right. And, of course, any Bashir/O'Brien episode benefits from the wonderful screen cameraderie between Alexander Siddig and Colm Meaney.

So it should be understood that I'm not really bashing this episode. I'd probably be fairly positive about it had it popped up in the midst of the mid-season filler. But amongst the strong run of shows wrapping up the series, it feels decidedly lacking by comparison.

A fair comparison can be made to Season Three's Distant Voices, another episode that trapped Bashir inside a station-bound dreamscape. Though that was far from my favorite episode, lacking narrative momentum, it did a much better job of creating a dreamlike atmosphere on the standing sets than this one, not to mention offering some memorable set pieces. This episode achieves neither of those. Steve Posey's direction is competent but bland, and writers Bradley Thompson and David Weddle spend half the running time setting up the journey into Sloan's mind, thus leaving only about twenty minutes for Bashir and O'Brien to explore that setting.

There's a Third Act fakeout in which we're meant to think O'Brien and Bashir are back in the real world, only for them to discover they are still in Sloan's mind. The problem is, it's so clearly telegraphed that I can't imagine anyone being fooled. It just provides a complication, something to delay our heroes from the final confrontation with Sloan.

Overall, the episode is serviceable and does what it needs to do, and I wasn't bored by it. But I also wasn't particularly hooked. Given the quality of most of this final run, I can't help but label this a disappointment.


Overall Rating: 5/10.

Previous Episode: Tacking into the Wind
Next Episode: The Dogs of War

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7-21. When It Rains...

Chancellor Gowron (Robert O'Reilly) returns to Deep Space 9.

THE PLOT

Damar and several Cardassian leaders have begun an open rebellion against the Dominion, which opens up a potential advantage for Starfleet. But Damar and his men lack the skill set to be resistance fighters. They need someone who can teach them how to wage war with limited resources against a superior enemy. Sisko "volunteers" Kira to act as an advisor to Damar - but a Bajoran advising Cardassians on guerilla tactics is destined to go over badly, and Kira finds herself constantly challenged by Damar's second in command, Gul Rusot (John Vickery).

Kira's situation isn't the only turbulent one. On Bajor, Kai Winn grows closer to comprehending the ritual to release the pah-wraiths, even as Dukat pushes his luck just a little too far. Meanwhile, Dr. Bashir discovers that Odo has contracted the disease afflicting the changelings. When he contacts Starfleet for Odo's old medical scans, hoping to use them to devise a cure, he finds himself stonewalled in a manner highly reminiscent of a certain Section with which he's had previous dealings.

At least things are looking up a bit for Sisko, who finds one advantage salvaged from the disastrous battle for the Chin'toka system. It turns out that with a simple adaptation, Klingon ships can be made immune to the Breen energy weapon. Martok immediately begins planning a hit-and-run campaign to slow the Dominion offensive.

...Which is when Chancellor Gowron arrives to honor Martok's service, and to take personal command of the Klingon forces. His first order? An all-out assault that can only lead to disaster!


CHARACTERS

Capt. Sisko: Realizes immediately that Kira is the exact right person to teach Damar's forces, and sticks firmly to his decision even when Kira expresses hesitance. "Whether you like Damar or not is irrelevant. We need him. The Dominion knows they have to stop his rebellion before it spreads, and it's up to you to see that they don't."

Col. Kira: Has not forgotten that Damar killed Ziyal, whom she regarded as family, but she agrees with Sisko that she will work with her former enemy for the sake of the war. Odo and Garak accompany her on the mission - which proves to be a good thing, as the two of them work to keep Kira and Gul Rusot from each other's throats. Kira voice some hard truths to Damar about running a Resistance, including the impossibility of avoiding Cardassian casualties. "Anyone who's not fighting with you is fighting against you."

Dr. Bashir: When he discovers Odo has been infected with the virus, he feels confident that he can find a cure by simply comparing Odo's current scan with an old one and isolating the differences. What he isn't counting on is stonewalling by Starfleet Medical. He is able to get around that with some (offscreen) assistance from Sisko... only to find a new layer of deception on top of the previous one. That's when he realizes the truth, and prepares to take action that will doubtless form the focus of an upcoming episode.

Damar: Acknowledges his dislike of Kira, but tells Rusot that this hatred is "a luxury (he) can no longer afford." His personal distaste shows in the stiffness of his interactions, but he genuinely listens to her advice and extends every courtesy he can. The enemy (Kira) of his enemy (the Dominion) may not be his friend - but he'll grudgingly accept her as an ally.

Martok/Gowron: Gowron is happy to sing Martok's praises while awarding him The Star of Kahless. But his real purpose is to retake command, to make himself the "savior of the Empire." As Worf observes, Martok's leadership has made him increasingly popular with the Klingon military. Gowron, a schemer who maneuvered his way into power, can only see him as a threat. Unfortunately, the political scheming that led to him becoming Chancellor did not prepare him for large scale combat tactics, leaving the Klingons - and with them, the entire Federation - on the verge of calamity.

Dukat/Winn: The balance of power has firmly shifted from Dukat to Winn. Now that she knows his true identity, she treats him with open scorn, appalled that she shared a bed with a man responsible for so many Bajoran deaths. Not that she can lay claim to any particular moral high ground - When he points out that summoning the pah-wraiths will result in more deaths, she haughtily responds: "The pah-wraiths will spare those whom they find worthy; the rest are of no consequence."


THOUGHTS

When It Rains... adds one more fine episode added to the largely superb final run of this series. Writer Rene Echevarria handles the multiple plot threads well, focusing each thread on the characters: Kira and Damar's mutual unease at having to work together; Bashir's determination to help a friend and patient, and his gradual realization of a conspiracy; Gowron's thirst for glory; Kai Winn's own appetite for power, which is balanced against her disgust at working with Dukat. Four plot threads in one episode, but it never feels choppy because each thread is so strongly rooted in the characters and in the sense that everything is building toward Something Big.

This is the third episode Michael Dorn has directed. Taken alongside the excellent In the Cards and the very good Inquisition, it's clear he has a strong handle on the series and its atmosphere. I find myself actively sorry that he didn't direct more episodes. He may not have the visual eye of Jonathan Frakes or David Livingston, but he definitely knows how to work with the cast, focus on the best elements of the script, and keep the pace moving throughout.

The story itself is mainly another building block in the larger arc, setting up elements for the next installments. Even so, it maintains a strong grip throughout, with each strand promising interesting new developments - and raising anticipation, and expectations, for those remaining installments.


Overall Rating: 8/10.

Previous Episode: The Changing Face of Evil
Next Episode: Tacking into the Wind

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7-16. Inter Arma Enim Silent Leges

Sloan (William Sadler) wants Bashir to spy on the Romulans...

THE PLOT

The alliance with the Romulans has led to an invited Starfleet presence at a medical conference on Romulus, with Dr. Bashir scheduled to chair a discussion about ketracel-white and to give a lecture about the Dominion biological weapon known as The Quickening. For Bashir, the conference is an important step in turning the alliance into a genuine friendship between the two powers. For others, it is an opportunity of an altogether different kind.

The night before Bashir leaves the station, he is visited by Sloan (William Sadler), the agent from Section 31 who attempted to recruit him once before. Sloan wants him to observe Koval (John Fleck), chairman of the Tal Shiar, the Romulan intelligence gathering service. Koval opposed the alliance with the Federation, and his rise in influence is seen as a threat to the war effort. There is a rumor that he has Tuvan Syndrome, a neurological disease - And with Bashir's genetically-enhanced senses, Sloan believes he can diagnose Koval through observation.

Sisko and Admiral Ross (Barry Jenner) encourage Bashir to play along, in hopes of exposing Section 31. But as the plan progresses, it becomes clear that Sloan has another agenda: Once Bashir confirms the diagnosis, Sloan will use that information to arrange an entirely "accidental" assassination!


CHARACTERS

Capt. Sisko: Is unsurprised that Sloan made contact with Bashir, and even less surprised that he was able to evade station security. Though he's inclined to be cautious about sharing information with Sloan, he agrees with Admiral Ross that this is an opportunity to get inside the shadow organization.

Dr. Bashir: Instantly troubled when Koval expresses interest in the Quickening - not in curing it, but in replicating it. In that moment, he is briefly persuaded to Sloan's point of view, that Koval must not come to power. When the agent's plans turn toward assassination, however, he simply will not stand by for that.  This first prompts paranoia, as he fears he has no one he can trust.  which in turn pushes him to an action that has every potential to backfire spectacularly .

Garak: Only in one scene, but it's a good one. When he notes the opportunity the conference provides to gather intelligence about the Romulans, Bashir protests that they're allies. Garak all but laughs at his naivete. "I'm disappointed hearing you mouthing the usual platitudes of peace and friendship regarding an implacable foe like the Romulans. But, I live in hope that one day you'll come to see this universe for what it truly is, rather than what you'd wish it to be."

Sloan: His first appearance comes immediately after the scene with Garak, almost as if the cynical tailor/spy had summoned him into being. Sloan does share many traits with the Cardassian: He can't pass up an opportunity to gather intelligence; he sees the worst in everyone around him; and he wholeheartedly embraces assassination as a useful tool, as long as the end result is to Starfleet's benefit. So why is Garak a friend and Sloan a foe? Maybe because Garak's worst deeds are behind him (though he remains remorseless about them). Maybe it's because Garak is a lot more charming and fun to be around.  Either way, Sloan seems a reflection of Bashir's friend - The deeds he does now, Garak is fairly open about having done every bit as bad and worse in the past.


THOUGHTS

Sloan and Section 31 were introduced in last season's Inquisition, a very good episode that effectively tapped into a paranoid thriller vibe. That episode ended in a way that clearly demanded a follow-up, which we finally receive with Inter Arma Enim Silent Leges.

The idea of using the alliance with the Romulans to gather intelligence makes sense at this stage of the larger arc. Garak, Sloan, and Ross all clearly believe that this alliance will not long outlive the Dominion War - And they are almost certainly right, while optimistic and idealistic Bashir is almost certainly very wrong. I particularly enjoyed a scene that points out how the post-war balance of power will shift. With the Klingons and Cardassians devastated by two back-to-back conflicts, the Federation and the Romulans will be the dominant powers moving forward. Just as was true of the U. S. and Soviet Union in the waning days of World War II, we see the two superpowers angling for every post-war advantage they can get.

Ronald D. Moore's script moves quickly, with a couple of nicely unexpected turns along the way. The paranoid vibe of Inquisition returns as Bashir realizes that Sloan must have allies; cut off from the station, he has no one to trust and there's a distinct sense that he himself may be in danger.

There is just a little too much plot here for 45 minutes, leading to a rushed climax.  Still, the way the situation is resolved is effective - It reflects the messiness of the situation, as "big picture" thinking leads to decisions that are morally questionable and that may lead to worse outcomes down the road... Not exactly unprecedented in the history of modern intelligence.

The ending also leaves the door open for a return appearance by Section 31 - Something I hope will happen, although with only ten episodes to go that may be asking too much.


Overall Rating: 8/10.

Previous Episode: Badda-Bing, Badda-Bang
Next Episode: Penumbra

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7-11. Prodigal Daughter.

Ezri's unhappy homecoming.

THE PLOT

Chief O'Brien has disappeared on New Sidney after traveling there to track down the widow of Orion Syndicate operative Liam Bilby. Since New Sidney is not a Federation planet, it's difficult for Sisko to intervene... But Ezri's mother (Leigh Taylor-Young) owns one of the largest mines in that system. She readily agrees to help locate O'Brien - But only if Ezri returns home for a visit.

Ezri agrees, but reluctantly. Her mother is a domineering figure, who has forced her sons, Janel (Mikael Salazar) and Norvo (Kevin Rahm) to devote their lives to the family business at the expense of their own ambitions. After Ezri left to join Starfleet, she never looked back, and her relations with her family are strained at best.

Ezri's mother keeps her word. Not long after Ezri returns, O'Brien is rescued from a pair of Orion Syndicate thugs by the local police. But when he reveals that Bilby's widow was found murdered, and then discovers that Ezri's family is being pressured by the Syndicate as well, it becomes clear that there is a lot more at stake than family drama...


CHARACTERS

Capt. Sisko: Is undertandably angry when he learns that O'Brien went to a non-Federation world to play detective after indicating that he was simply visiting his father. I wouldn't want to be in either O'Brien or Bashir's shoes for the next little while - As O'Brien observes, Sisko "has a boot with (his) name on it."  Still, he immediately focuses on the problem, demanding all information on the chief's activities, then going to Ezri for help in recovering his wayward crewman.

Ezri: This episode exists to fill in her backstory... Which would be a lot more useful in making us connect to her if her backstory wasn't the stuff of soap operas. The family drama never has the blistering feel of real, decades-long resentments being re-opened. It's just cliched melodrama, dressed up with some sci-fi trappings. Nicole de Boer does her best with the material, and she manages some very good acting when Ezri realizes what actually happened to the dead woman... But I can't help but observe how much more real her disgust at gagh in the teaser feels than any of the family situation in the main story.  It's all very artificial, and the emotion it should carry feels artificial as well.

O'Brien: One indication that is a troubled episode is that it's Ezri-centric, even though O'Brien is the one driving the plot. The main plot only kicks into gear when O'Brien is recovered (about halfway through), and then it's O'Brien who steers the investigation. He is the one who has a brief confrontation with an Orion Syndicate representative, and he is the one who discovers the link between the Syndicate and Ezri's family.  The problem is that while I fully believe O'Brien continuing to feel an obligation to Bilby's family, this story should be an O'Brien episode - and it suffers for being forced to be part of an Ezri plot.

Dr. Bashir: The teaser shows him preoccupied with worry over Chief O'Brien, leaving him barely engaging in any conversation with his friends. When O'Brien doesn't return on the scheduled transport, he immediately goes to Sisko.  He doubtless knows he's going to get chewed out, and he takes thatin stride - He even draws more of the captain's wrath on himself by pointing out that O'Brien did not actually lie to Sisko.


THOUGHTS

Prodigal Daughter has a terrific teaser. The opening neatly introduces the O'Brien plot by showing Bashir's preoccupation, but tips focus to Ezri through her dismay at being informed that some gagh Jadzia had ordered has arrived. Ezri shudders as she recalls not just the taste of the Klingon delicacy, but the way it feels when swallowing it. Once again, she is shown as different from her predecessor - Jadzia jumped into such experiences wholeheartedly, while Ezri reacts... the way most people would, really. The scene scores because it's funny, and because Ezri is absolutely relatable in this moment.

This is followed by a few quick scenes that economically set up all of the conflicts of the episode: The activities of the Orion Syndicate; O'Brien's determination to find his late friend's missing widow; and Ezri's return home to secure her mother's assistance. It all works, and within ten minutes the entire story is set up and ready to take off running.

Then Ezri returns home and the rest of the episode falls completely flat.

A quick glance at Memory Alpha reveals that Prodigal Daughter was written in a hurry, and that its development was further hobbled by a refusal to even imply that Starfleet could be influenced by criminals such as the Orion Syndicate. As was true of Star Trek: Insurrection, the demands of keeping Starfleet clear of any direct wrongdoing cripple the drama, forcing writers Bradley Thompson and David Weddle to make their already small-scale story even smaller.

I've already mentioned that the episode suffers from being forced to be an Ezri plot when the story clearly wants to be an O'Brien one.  This is at least partly responsible for some of the awkward pacing, with the scenes between Ezri and her family feeling too often like filler, while the Syndicate story is rushed.  We're also told over and over again how terrible Ezri's mother is... And while she is domineering, she never comes across as being the monster the script insists she is.

The episode's worst sin is that there's nothing remotely interesting about it. The mystery is thin, the murderer very easy to guess. Meanwhile, Ezri's family dynamics were cliches in 1930s melodramas, which results in an Ezri episode whose main revelation is that there's nothing very interesting to know about her!  Very likely, that's why Ira Steven Behr apologized to Nicole de Boer after the episode wrapped

I will credit some decent performances, particularly from Nicole de Boer and Colm Meaney, and this is acceptable late-night insomnia viewing.  But it's the most expendable DS9 episode since Profit and Lace, and is far below this series' usually very high standards.

Overall Rating: 4/10.

Previous Episode: It's Only a Paper Moon
Next Episode: The Emperor's New Cloak

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7-5. Chrysalis.

Dr. Bashir tries to cure Sarina's catalepsy.

THE PLOT

The genetically engineered mental patients Dr. Bashir worked with last year return to the station. Bashir believes he has found a way to cure Sarina (Faith C. Salie)'s catalepsy, to allow her to engage with the world around her. She initially shows no change after the surgery, leaving Bashir feeling that he failed her - but then she is found wandering around the Promenade, where she announces she is looking at "everything!"

Sarina is grateful to Bashir, and happy to be able to interact with the people on the station. But as he gets to know her, Bashir finds himself drawn to her: a woman whose genetically-engineered intelligence is not only equal to, but probably greater than, his own. He initiates a relationship, pushing her to more and more activities before she's had time to adjust to her new life.

And then watches in horror as she starts to withdraw all over again...


CHARACTERS

Capt. Sisko: The group of patients arrive on the station by having Patrick (Michael Keenan) impersonate a Starfleet admiral. A serious offense, but recognizing that the childlike Patrick has no understanding of why, Sisko agrees to have the charges dropped. Not without first reminding Bashir of the trouble this group previously created, however, and not without eliciting a promise that such behavior will not happen again.

Dr. Bashir: The episode highlights his loneliness. His friends and colleagues are all either married or in relationships (and this is the only Trek series in which the bulk of the regulars are in committed relationships), which leaves him a bit of an "odd man out," with his genetic engineering making him even more of an outsider. Meanwhile, Sarina is the ultimate outsider - someone who has never been able to engage with the world around her before now. It never occurs to him that he might be too quickly pushing her into something she's not ready for, and he only recognizes his folly at the episode's end.

O'Brien: The most emotionally accessible of the regulars, he recognizes his friend's mistakes all too well. He attempts to talk to him about how fast he's moving with a girl who was his patient (something Bashir handwaves away by saying he had her assigned to a different doctor). But when it's clear that Bashir just isn't able right now to hear the truth, O'Brien stops himself from further comment, wishes him a simple and sincere "good luck," and waits for the inevitable fallout.

Ezri: Isn't she meant to be the station's counselor? I would expect Sarina, a woman who has spent most of her life completely cut off from other people only to suddenly be connected in a big way, to need to talk to a counselor - Heck, to be required to! Nicole de Boer does do well with the scene in which Ezri supplies all the reasons why Bashir should feel free to beat himself up... But that's the only moment she has in the episode that doesn't feel like it could as easily have been written for Jadzia, and that feels like a dropped ball in an episode where a counselor would actually seem to be called for.

Hot Genetically Engineered Space Babe of the Week: A nice touch of both script and performance is that when Sarina first begins to speak, she does so haltingly, with a sound in her voice approaching that of a deaf person speaking words she can't hear. That fades as she becomes accustomed to speech. It's strongly indicated that Sarina only agrees to a relationship with Bashir out of gratitude, and as Bashir turns it into a very serious relationship very quickly, she becomes overwhelmed.


THOUGHTS

Deep Space 9's take on Daniel Keys' classic Flowers for Algernon, Chrysalis offers several worthy moments. The performances are good across the board. Much of the dialogue is sharp and even funny. Patrick impersonates an admiral with startling success by simply responding to all inquiries by barking, "That's a stupid question!" Jack (Tim Ransom) and Patrick fret about the death of the universe in billions of years time, treating that deadline as an immediate emergency - something that reinforces the difference of their perspective from most people's in a way that doesn't just make them the butt of "Look at the Crazies!" jokes. The scene in which the patients celebrate Sarina's successful surgery with an improvised a cappella performance is gloriously well-done.

Unfortunately, all of these good moments are packed into the first half of the episode. Once Bashir declares he is in love with Sarina, the episode becomes flat and tepid. There's nothing terribly effective in waiting for Bashir's ill-advised romance to fall apart, and it's clear that such has to happen - So for the rest of the episode, we are simply left waiting for the inevitable.

Perhaps if some of the story had been told from Sarina's point of view, some genuine emotion could have been wrung from her dilemma. She naturally wants to show her gratitude to the doctor who gave her back her life; at the same time, she doesn't want to commit her entire life to him before she's even had a chance to start living it. That might have created some effective drama, if that had become the focus. But with the viewpoint purely Bashir's, and the dilemma being his desperation to fit and belong with someone, the results become just a bit too predictable and a bit too tedious.

And that's the problem with Chrysalis in a single word. It isn't bad in any particular way. It's just... tedious. An episode to "get through" on the way to better things.


Overall Rating: 4/10.

Previous Episode: Take Me Out to the Holosuite
Next Episode: Treachery, Faith, and the Great River

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7-3. Afterimage.

Ezri has a difficult time adjusting to her new life.

THE PLOT

"I knew Jadzia. She was vital, alive. She owned herself. And you? You don’t even know who you are!"

Ezri is having a hard time adjusting to life on Deep Space 9. She has all of Jadzia's memories, so she knows all of Dax's old friends - but to them, she's a stranger. Except for Sisko (and, oddly, Quark), they are all uncomfortable around her. Worf goes so far as to actively avoid her, even leaving Quark's bar when he notices Ezri is there.

She plans to transfer back to the Destiny, her ship before she became joined. Sisko has other plans. He tells her that he will support her decision, but he clearly wants his old friend to remain and offers her a position as counselor on the station. "The station could use a good counselor," he observes.

His offer comes exactly when the station does need a counselor. Garak, who has been decoding intercepted Cardassian messages for Starfleet, suffers an anxiety attack caused by claustrophobia. Ezri agrees to talk to Garak, to try to help him so that he can continue his intelligence work. Garak pretends their talk helps - but shortly after, he enters an airlock and tries to open the outer door to get out of the enclosed station. When Ezri tries to help again, he denounces her "insipid psychobabble" and tells her that she's unworthy to carry the name "Dax" - leaving Ezri not just doubting staying on Deep Space 9, but doubting her very ability to continue as a Starfleet officer!


CHARACTERS

Capt. Sisko: He already went through the process of adjusting to a very different Dax with Jadzia, which I suspect is why he's so instantly accepting of Ezri. She's as different from her predecessor as Jadzia was from Curzon, but he knows that the friend he has so relied upon is there underneath the quirks. For all that he wants to be supportive, a good leader knows when someone needs handholding and when someone needs a hard kick. When Ezri responds to Garak's tongue-lashing by wallowing in her own insecurities, Sisko doesn't hesitate to deliver that kick, as harsh in his way as Garak: "Dax... had eight amazing lives. So what if the ninth was a waste? ...Dismissed!"

Ezri: A little scene that I particularly like sees her hovering in front of a replicator, uncertain what to order. The favorite foods of her past lives keep popping to the top of her head, to the point where she can't remember what she herself actually enjoys. It underscores the difficulty of her transition. Imagine not being able to remember whether you prefer coffee or tea, or pancakes or waffles, or whether you like your steak rare or medium well, or whether you're actually a vegetarian! She probably really does need a good counselor, or at least time in a low-stress environment - Luxuries the current war situation simply will not allow to the young woman carrying the Dax symbiote.

Worf: "You are not Jadzia... I do not know you, nor do I wish to know you!" Worf is not just brusque, but downright rude to Ezri, making it clear that he wants nothing to do with her. Then, after she has a friendly (if not unflirtatious) chat with Dr. Bashir, he responds like... Well, like a jealous husband, loudly declaring that Ezri is absolutely off-limits. His behavior is inexcusable... But in fairness, he is also facing a difficult situation. His role in the opening two-parter was all about securing a place for Jadzia in the Klingon afterlife, allowing him to begin the process of coming to terms with her death. Then he barely sets foot on the station before being confronted with a new Dax, carrying all of Jadzia's memories. His wife is dead, but she also still lives - So in a way, Ezri takes away by her very presence the significance of what he has just done for Jadzia's soul and memory. I hope it's a long time (if ever) before these two become comfortable around each other, because this is not something Worf should just get over in a handful of episodes.

Garak: The moment in which Garak turns his venomous scalpel against Ezri is the episode's highlight, his tearing down of her more than a little reminiscent of his tirade against Bashir in The Wire. Writer Rene Echevarria builds carefully to this moment. The first Garak/Ezri scene sees Ezri displaying all of her emotional fragility - Something that might earn sympathy from Jake or Bashir, but which can only garner contempt from someone like Garak. After his second attack, Ezri uses Quark's holosuite to simulate a wide-open space while promising to do all she can to help him. Garak initially responds with gratitude - But once he's had a chance to recover himself, the thought of being so weak as to require the aid of someone he regards as pathetic has to ignite all of his self-loathing, which he directs right back at Ezri. At the heart of it all is his fear that he has become a traitor to his own people, condemning the Cardassian Empire to annihilation by deciphering their codes for Starfleet. Which is a distinct possibility, because Garak's not wrong when he says that the Dominion won't let the Cardassians simply surrender.


THOUGHTS

After the introduction of Ezri in the opening two-parter, it was the right choice to devote the next episode to her finding her place on the station. The characters' reactions to her are designed to anticipate the audience's - Sisko and Quark accept her pretty much right away, as a small but distinct segment of viewers could be counted on to do. Most of the others show varying levels of resistance, though most seem inclined to at least give her a chance - Which would be the case with the majority of viewers. Meanwhile, the distinct subset of viewers who could be counted on to resist the change with righteous fury are represented by Worf, openly resentful as if Ezri's existance cheapens Jadzia's memory; and by Garak, who tells her that she isn't worthy to carry the name "Dax."

The goal is clearly to make it easier for the audience to accept her by putting her through an emotional hell as she overcomes the very type of resistance in the regulars that the viewers will have. I find it successful in this, but I already find Ezri quite likable. She doesn't have Jadzia's confidence and humor, and I could never picture her in command of anything - But she is likable, and her reaction to her situation feels emotionally believable so far.

Rene Echevarria is regularly top-notch at characterization, and it's no surprise that not just Ezri, but all of the characters feel right for who they are. Sisko and Quark accepting her immediately feels right, because Sisko's been through this once and because Quark is just the sort who will accept that this is his friend Dax even if it's not Jadzia - He isn't going to sentimentalize when his friend/unrequited crush is standing right in front of him, just in a different form. Kira's discomfort, particularly when standing at the very Bajoran shrine where Jadzia was shot, is well-realized, and I appreciate that we don't see everyone completely losing their discomfort by episode's end.

I retain some apprehension about introducing this new character this late in the series, but I'm happy that I find myself liking this nervous, neurotic young woman. I just hope that the writers are able to balance properly developing her against the needs of the many ongoing plot threads that need tied up over the next 23 episodes.


Overall Rating: 8/10.

Previous Episode; Shadows and Symbols
Next Episode: Take Me Out to the Holosuite

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6-25. The Sound of Her Voice.

A wake for a lost friend.

THE PLOT:

The Defiant is on its way home from a convoy escort mission when it intercepts a Starfleet distress call. Lisa Cusack (Debra Wilson), captain of the USS Olympia, is stranded on a planet whose atmosphere will not sustain her for long. When they make contact, they learn that she has barely enough supplies to keep her alive until they reach her. To monitor her condition, and to keep her from being alone as she waits, they agree to take turns talking with her over the intercom, in a series of conversations that become increasingly personal across the six-day journey.

Back on the station, Quark has a rare business opportunity, one that can only be completed if a wanted criminal can make his way onto the station undetected. Odo's vigilance would normally make this impossible. But, as Quark observes to an attentive Jake, Odo has been distracted since the start of his relationship with Kira. A nudge from Quark to celebrate their one-month anniversary is all that it takes to keep Odo clear long enough for the criminal exchange to take place.

Until Odo informs him that he plans to celebrate the anniversary of their first kiss - Which happened exactly one day after their first date. A delay of exactly one day... And with no way to reach his contact, that one day may leave Quark with a lengthy prison sentence!


CHARACTERS:

Capt. Sisko: Kasidy Yates is aboard the Defiant, having served as convoy liaison officer during the escort mission... Something which makes Sisko uncomfortable. Not because she did a bad job - He acknowledges to Lisa when it's his "turn" to speak with her that Kasidy did a fine job of it. He's just not comfortable with the intersection of his personal life and his duty. At the end, when Sisko talks to her, it's clear that she fears he's about to end their relationship, and is visibly relieved when he tells her that his behavior was all about his issues, something he promises to discuss with her privately later.

Dr. Bashir: Has changed a lot. The war, likely combined with some feelings of isolation now that it's known that he's genetically engineered, has transformed the gregarious young idealist into a taciturn, even dour, man focused solely on his work. He isn't even particularly interested in speaking with Lisa, focusing more on his reports than on what she is saying - Something she calls him on, reminding him that it isn't enough to care - Others have to see that he cares.

O'Brien: Has also become more isolated due to the war, something that in his case is entirely self-imposed. As a veteran of the war with the Cardassians, he knows only too well the emotional danger of getting close to people who might not be alive tomorrow. He admits to Lisa that he won't talk to his friends or family about his feelings, and he doesn't like the idea of talking to a ship's counselor... Which leaves him to stew, even as he pretends to still be the cheerful engineer he used to be.

Quark/Jake: The "B" plot revives the rivalry between Odo and Quark, something that's been little-seen since the Dominion War started. I love the joy Quark feels at "beating" Odo, which gives him more pleasure than the prospect of the actual payoff. That makes his devastation all the greater when Odo throws a wrench into his timing. Jake makes a great straight man to Quark, performing what are effectively the henchman duties that traditionally have belonged to Rom, resulting in some fun exchanges between two characters who have rarely interacted. Yet again, even this late in its run, Deep Space 9 combines characters in a new way and creates an enjoyable new dynamic.


THOUGHTS:

The Sound of Her Voice is basically a bottle show. It features the regulars, Kasidy, and one guest star who is present only as a voice over a communicator. Save for a brief sojourn to the venerable Star Trek cave set, it alternates between shipbound scenes and station-bound scenes, and features only standing sets. I strongly suspect it was made in part as a budget saver, squeezing a few pennies before the doubtless more expensive season finale.

In the hands of writer Ronald D. Moore and this most excellent of Trek ensembles, it is highly effective, if suffering from an entirely unnecessary indulgence in Technobabble near the end.

I'll deal with the Technobabble issue first, as it's the episode's biggest weakness. The basic ending is easy enough to see coming, and doesn't require a labored Technobabble explanation. This bit only works if we assume Sisko never checked records about the person he was diverting to rescue, and didn't exchange any messages with Starfleet about the situation during the almost week-long period it takes to arrive. It's a bizarre choice, one that undermines an otherwise very fine episode.

Fortunately, it is an otherwise very fine episode. The script is an ensemble character piece, with excellent scenes for Sisko, Bashir, and O'Brien (and some pretty darn good ones for Quark and Odo in the subplot). All the characters ring true, the actors are excellent as usual, and the material works. Alexander Siddig and Colm Meaney are particularly good in their scenes, and it's fitting that they get the best moments of the tag. Bashir's insistence on telling his friends how much he cares is a fine moment...

One which is immediately upstaged by O'Brien, saying the simple truth of the situation of the war and what he's decided it means to him (and handily foreshadowing the following episode at the same time):

"We've grown apart, the lot of us. We didn't mean for it to happen, but it did. The war changed us, pulled us apart... I want my friends in my life, because someday we're going to wake up and we're going to find that someone is missing from this circle. And on that day we're going to mourn, and we shouldn't have to mourn alone."


Overall Rating: 7/10. Would be an "8" without the Technobabble at the end.

Previous Episode: Time's Orphan
Next Episode: Tears of the Prophets

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6-18. Inquisition.

Starfleet Intelligence Officer Sloan (William Sadler)
suspects Dr. Bashir of being a Dominion spy!

THE PLOT

The station receives a very unwelcome visitor: Deputy Director Sloan (William Sadler) of the Department of Internal Affairs. Sloan is there to investigate reports of a traitor among the senior staff, someone who has spent months passing sensitive information to the Dominion. The entire command staff is relieved of duty and confined to quarters for the term of the investigation.

It soon becomes clear that Sloan has fixated on a single suspect: Dr. Bashir. His actual evidence is thin, based on a minor inconsistency in reports of Bashir's time in a Dominon prison camp. But as he twists every aspect of the doctor's record to fit the narrative of him as a spy, even his closest friends begin to have doubts. As Sloan voices the theory that he was programmed to be a spy without knowing it, Bashir begins to doubt himself.

That's when he is suddenly beamed aboard a Dominon warship, where Weyoun greets him with the warmth of an old, dear friend...


CHARACTERS

Capt. Sisko: As long as I remain in command, I will see Doctor Bashir whenever I please. Furthermore, from now on I will sit in on all interrogation sessions to make sure his rights are observed. Do I make myself clear? Sisko cooperates with Sloan's investigation - Right up to the point at which Sloan makes Bashir the subject of a witch hunt. He then insists on being part of every interrogation, acting as an advocate for his officer. Even so, Sloan's words start to make him doubt - Particularly when he reminds Sisko about Bashir's recommendation to surrender to the Dominion. Sisko doesn't think the doctor is lying... But he does find Sloan's theory, that he has been programmed to act as an unwitting spy, a plausible one.

Dr. Bashir: As Sloan's implications and insinuations persist, and even Sisko begins to voice doubts, Bashir begins to doubt himself a little. His protestations of innocence sound a little less definitive, a little more like denial of the possibility that the Dominion "broke" him when he was their prisoner. It is only when he sees Weyoun, who practically repeats Sloan's statements verbatim, that he begins to realize the truth. Alexander Siddig gives another excellent performance, and his scenes opposite William Sadler crackle with tension as these two very strong personalities don't so much verbally fence as box, each circling around the other at vulnerable points, each doing his utmost to draw blood.

Weyoun: Appears only briefly, beaming Bashir onto his ship and trying to convince him of the same thing Sloan believes - That he is a Dominion agent, repressing memories of being an agent. Weyoun pleasantly tells Bashir of their many meetings, all of which follow the same pattern: "These little conversations of ours always follow the same pattern. You start out confused, then you get angry, then you deny everything until finally the walls inside your mind start to break down and you accept the truth." Then he offers refreshments - specifically, the very meal Bashir had earlier requested from Sloan. All of this leads Bashir to realize that Sloan must be the one working with Weyoun. It's uncharacteristic, in that Weyoun clearly overplays his hand... Until we learn that there's actually an entirely different game being played beneath the surface of this one.


THOUGHTS

Inquisition is the second Trek episode directed by Michael Dorn, after last season's outstanding In the Cards. This episode could not be more different than that one, but Dorn proves as adept at paranoid thriller as he was at comedy, and at this point is another Trek actor whose directorial outings are worth looking forward to.

The script, by Bradley Thompson and David Weddle, makes excellent use of continuity. Sloan appears to zero in on Bashir as a suspect in large part because of his genetic engineering, repeatedly noting that Bashir is only in Starfleet because he lied, and that he only confided in Sisko after he had already been found out. Some of the "evidence" Sloan provides include Bashir's recommendation to surrender to the Dominion, and (from early Season Four!) Bashir's efforts to help the Jem'Hadar unit that was trying to free itself of addiction to ketracil white. All of these past threads are brought together here, and they serve to strengthen the story by making it believable that Bashir's past behavior could be seen as suspect.

Another aspect of Deep Space 9 that is furthered by this episode is the series' willingness to hold up Gene Roddenberry's idealized Federation to the harsh light of human nature. In Season Two, we saw that the Maquis became rebels due to Starfleet's refusal to respond to Cardassian treaty violations. In Season Four, Sisko's mentor attempted a coup that would have turned the Federation into a police state in the name of security. Now we learn that Starfleet has its own secret police, in the mysterious Section 31, with Sloan fully authorized to detain Bashir until the end of the war without any real evidence against him. Sloan and his Section work as judge, jury, and executioner - and Bashir is quick to point out how rife such a system is for abuse.

As befits a series as regularly intelligence as this one, Section 31 are not presented as simple villains. In the final scene, as the station command staff discuss what has happened, not everyone is condemning their existence. Odo points out that every civilization has such an organization. Sisko admits that he has no answers as to whether such organiations are evil, or simply a necessary evil.

In the end, this is another excellent episode in an excellent season, and I look forward to seeing the questions raised here explored in future installments.


Overall Rating: 8/10.

Previous Episode: Wrongs Darker Than Death or Night
Next Episode: In the Pale Moonlight

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6-16. Change of Heart.

Dax is critically injured.

THE PLOT

Starfleet has received an emergency transmission from Lasaran (Todd Waring), a Cardassian double-agent who has been passing intelligence about the Dominion. Lasaran believes he is being watched and demands extraction. He offers an enticing prize for his rescue: Intelligence about every changeling remaining in the Alpha Quadrant!

Worf and Dax plan to meet Lasaran at a rendezvous point in a jungle near a Dominion base on the planet Soukara. Evading detection will mean landing their runabout, hiking roughly twenty kilometers to Lasaran's position, and then getting him back to the ship. All is on track - Until they are spotted by a Jem'Hadar patrol. They manage to kill their attackers, but Dax is critically injured, leaving Worf with a horrible choice: Save Jadzia, and lose Lasara and all of his intelligence; or complete his mission, and leave his wife to die!


CHARACTERS

Capt. Sisko: Tells Worf that the mission has to be more important than any one life, and bluntly spells out the consequences of failure to both the war and Worf's career. He declares that Worf and Dax will never be allowed to go on a mission alone again. But as a friend, and as a man who lost his own wife, he acknowledges that he understands why Worf would put Dax's welfare above the good of the mission.

Worf: Attempts to be more easygoing for Dax's benefit - a change that Dax finds somewhat disconcerting. When she is injured by the Jem'Hadar, Worf blames himself. He declares that he should have been more vigilant, instead of attempting to be someone he's not. He knows his duty as a Starfleet officer, and both he and Dax are fully prepared for him to leave her to complete the mission - but as soon as he leaves her side, he feels overwhelmed by the choice his duty demands.

Dax: Though it's more subtle, she is also making some adjustments for Worf's benefit. At the episode's start, they are chatting as they prepare for bed. When she notices that Worf is meditating, she stops talking and is respectfully silent until he finishes. She makes a brave effort to carry on once injured - and though the injury eventually becomes too much for her, she makes it farther than she really had any right to do (though one wonders why she didn't just go back to the shuttle - which was actually closer than the rendezvous point - once she was injured and wait there for Worf to complete the mission alone...).

Dr. Bashir/Quark: The episode's "B" plot sees Dr. Bashir pitted against Quark in a game of Tongo. When Bashir proves formidable enough to make Quark nervous, the Ferengi rattles him by bringing up Dax. He reminds the doctor about his once-dogged pursuit of her, empathizing with Bashir by revealing his own similar feelings: "You know what's really sad, what really keeps me awake at night? She's out of reach because we let her go... Deep down in our heart of hearts, we both know she's something unique, something we may never see again - a chance at true happiness- and we let her slip through our fingers. What if fifty years from now, we each look back and say, what a fool I was!" After Quark wins the game, he refuses to tell Bashir whether his words were true, or merely a tactic. It's a fantastic scene, one which takes an expendable and downright unwelcome subplot and pulls from it a genuinely great character moment.


THOUGHTS

Change of Heart is a solid episode that had the potential to be a great one. It has fine performances. Michael Dorn and Terry Farrell are terrific, both in their individual performances and in their interplay. Alexander Siddig and Armin Shimerman take what, up until Quark's big speech, is a typical Trek comedy subplot and make it into something fresh and interesting. And while Avery Brooks only shows up for one scene, his performance and Ronald D. Moore's script combine to make that scene feel important.

Once the rendezvous has been arranged, the main plot doesn't feature a character other than Worf and Dax until the final scene with Sisko. This allows Ronald D. Moore's script to focus on the relationship between the two characters, which has never felt truer or more believable than it does here. When Worf prepares to leave his wife, very probably to die, we can read the agony on both characters' faces, and we believe it when he turns back for her.

However, this focus comes at a price. With no other guest characters to shift the dynamics, we're left only with Worf and Dax and their journey across the Star Trek jungle set. Had the attack occurred, say, after they met with Lasaran, and had the rest of the episode featured all three of them, then there would have been some fresh interactions in the second half. Also, by making Lasaran a fuller character, this might have made Worf's trade of him for Dax something the audience felt more invested in. As it stands, we see Lasaran for exactly one scene, in which he comes across as two-dimensional and unlikable.

Still, the episode does its job. The Worf/Dax interactions are convincing and well-acted, and Worf's final choice and the promise of consequences for it make this feel like more than just a but a bit of expendable mid-season filler. It could have been more than it is... But it's still a solid episode.


Overall Rating: 6/10.

Previous Episode: Honor Among Thieves
Next Episode: Wrongs Darker Than Death or Night

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6-14. One Little Ship.

A shrunken runabout must save the Defiant!
 - after it pushes a button on a console, that is.

THE PLOT

Sisko and the Defiant crew take a break from the Dominion War to investigate an anomaly. One of those Star Trek anomalies that operates on the science of High Concept - in this case, that it shrinks the Rubicon, the runabout sent into the anomaly, to a tiny fraction of its normal size, shrinking crew members Dax, O'Brien, and Dr. Bashir in the process. All of this is according to plan - with full assurances that they will return to normal size when they exit the anomaly.

The investigation is cut short when a Jem'Hadar warship attacks the Defiant. Caught unawares in mid-experiment, the Defiant is forced to surrender. Sisko and his crew are taken captive. The battle-hardened Jem'Hadar Second (Fritz Sperberg) recognizes Sisko as a threat and urges his immediate execution. But his First (Scott Thompson Baker), an inexperienced soldier bred in the Alpha Quadrant, decides to keep Sisko and his crew alive in order to repair the ship's warp engines, in order to get their prize to Cardassian space.

The Rubicon crew is unaware of the Defiant's capture. Dax, O'Brien, and Bashir just know that something went wrong and that they need to get back to the ship. They find the Defiant very quickly. But something has gone wrong - They did not return to normal size. As they enter the warship, and discover its capture, they know they must do something to help Sisko and the others. And they have to do it while the size of a child's toy!


CHARACTERS

Capt. Sisko: When he sees the hostility between the arrogant, inexperienced First and the veteran Second, he uses that. He plants the idea in the First's mind that he and his crew can repair the warp drive much faster than the Jem'Hadar would be able to, then works with his crew to simultaneously repair the drive and break through the ship's security systems to take control from the engine room. When the First barks about their slow progress, Sisko blames the Second's constant interference, with the end result that he frees his crew from detailed scrutiny as they go about their sabotage.

Dax: In command of the runabout mission, which carries over once they discover that the Defiant has been taken. O'Brien's engineering knowledge is key to helping Sisko retake the ship, but Dax does a good job of listening to his technical knowledge and to Bashir's scientific knowledge and applying both to the current situation. She also has fun embarrassing Worf by publicly announcing that she's looking forward to him writing her a poem - Something which he amusingly turns around on her in the tag.

O'Brien/Bashir: Very much a double-act. O'Brien has trouble wrapping his head around just how small they currently are, something Bashir delights in needling him about. When they have to beam off the runabout to reroute a bridge console from the inside, O'Brien begins hyperventilating, unable to clear his head enough to figure out which circuit is which. Bashir steps up, pushing O'Brien to stop looking at the giant circuitry surrounding them and instead draw on his ingrained knowledge of which components are where, which both calms the engineer and allows him to orientate himself to finish the job at hand.

Jem'Hadar: Dominion presence in the Alpha Quadrant has lasted long enough for them to start breeding Jem'Hadar here. This is creating a conflict between the veteran Jem'Hadar from the Gamma Quadrant and the new Jem'Hadar "Alphas," which I hope we see Sisko exploiting in future episodes. Here, it mainly plays out in the friction between the highly competent Second and his superior. The Second is correct at every turn: Sisko is a threat, and is actively working to retake the ship. Disrupting Sisko's crew and their attempted "repairs" also disrupts their planned resistance. The First's refusal to listen, to the point that he treats the Second with more hostility and suspicion than he does Sisko, is the main reason why the Dominion doesn't end up with the Defiant and its crew at the end. "Obedience breeds victory," the Jem'Hadar insist - But that doesn't hold true when you're obeying bad orders issued by a fool.


THOUGHTS

One Little Ship is a lightweight episode built around a silly and ridiculous concept. It reduces most of the Jem'Hadar to the status of guards so dumb they would qualify as Star Wars stormtroopers, and its situation plays out more as a comedy/adventure than as a thriller. It is, at heart, a rather dumb episode.

It's also a lot of fun to watch. The script, by Bradley Thompson and David Weddle, zips along merrily, taking viewers on a ride through two cliche stories: the "shrink" episode and the hostage episode. There is a lot of humor, from the tiny runabout hiding from view by flying directly behind the oblivious First's head to the way Dax pilots the shrunken ship to gently press buttons on a keypad. But the humor, while infectious, never compromises the characters. The situation itself is funny, but the regulars take that situation seriously - which keeps it just the right side of campy.

Some of the visuals are imaginative, as well. I particularly enjoy the scenes in which O'Brien and Bashir are working inside the bridge console. With giant, Tron-like components surrounding them, it looks - as Bashir observes - like they are "in the middle of an optronic forest."

In the end, One Little Ship is thoroughly silly, but also thoroughly entertaining. Another winner.


Overall Rating: 7/10.

Previous Episode: Far Beyond the Stars
Next Episode: Honor Among Thieves 

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