7-22. Tacking into the Wind.

Kira's worries about Odo complicate a dangerous mission.

THE PLOT

Kira continues to assist Damar's Cardassian rebellion, but her efforts are complicated by the animosity and blatant disrespect of Gul Rusot (John Vickery). After Rusot provokes a fight that Kira wins, he swears he will take revenge - and he might get a chance sooner that later, thanks to a plan to infiltrate a Dominion repair facility to steal a ship equipped with the Breen energy weapon.

Tensions are also rising among the Klingons on Deep Space 9. It is very clear that Gowron is focusing not on winning the war, but on disgracing General Martok by sending him on missions doomed to defeat. Worf urges the general to challenge Gowron and take his place, but Martok insists that such a challenge during wartime would be dishonorable. When Gowron hatches a new suicide mission - one that could cripple what remains of the Klingons' strength - Worf feels compelled to take matters into his own hands!


CHARACTERS

Capt. Sisko: Sisko's brief appearance carries shades of In the Pale Moonlight, as he urges Worf to resolve the situation with Gowron, and to "do whatever it takes." He obviously isn't telling Worf to kill the man - But he knows too much about Klingon culture to think that a bloodless solution is likely.

Col. Kira: For the most part, she manages to restrain herself in the face of Rusot's disdain. Season One Kira would have come to blows with him before the end of the last episode, and would have had to have been pulled off him to keep from killing him. Here, she's pushed ot the breaking point by worries about Odo and the frustration of trying to help the Cardassians, and still only snaps when Rusot physically accosts her... And she stops the fight as soon as she's won a clear victory, and even then knows that what just happened was not in anyone's best interest.

Worf: "Worf, you are the most honorable and decent man I've ever met... If you're willing to tolerate men like Gowron, then what hope is there for the Empire?" Ezri confronts Worf directly with the corruption in Klingon society - a thread that's been woven into the fabric of Star Trek since TNG's Sins of the Father. It was then that Worf was first made into an outcast - in the very episode in which he first realized that the society of honorable warriors he had idealized was, in truth, hopelessly corrupt. This episode brings his encounters with that corruption to a logical endpoint, and cements him as a significant figure in the Klingon Empire whether he wants to be or not.

Damar: Rusot is his friend, and was among his first allies in this resistance; Kira is a former enemy, one he personally dislikes. It's no surprise that his instinct is to support Rusot. But he's no idiot, and he recognizes that Kira's strategies are the ones his rebellion will need to embrace to have any chance of victory. As Garak notes, his greatest weakness is his romanticism of Cardassia's past. He mourns a Cardassia that's "dead, and it won't be coming back," when the truth is that his idealized Cardassia was as much a fiction as Worf's idealized Klingon Empire.

Garak: As much a Cardassian patriot as Damar, in his own way. Remember that this was a man willing to annihilate the Founders along with several people he calls friends, all in response to the female changeling's statement that the Dominion would destroy Cardassia. When Kira berates herself for a loose comment to Damar, Garak tells her that if Damar is "the man we hope him to be, then (he was) more receptive to what you said, not less."

Gowron/Martok: Two stubborn men, each clinging to their nature even when it leads to their destruction. Gowron refuses to follow the sound strategy set forth by Sisko and Martok. Instead of focusing on the war, he focuses on his own personal battlefield: Politics, with Martok as a potential rival who must be shamed. Martok, in turn, won't challenge Gowron because Klingon tradition frowns on such challenges in times of war. Without Worf's intervention, Gowron's plan would have played out exactly as he intended... And likely doomed the entire Alpha Quadrant in the process. A perfect illustration of Ezri's words about the Empire's decay.


THOUGHTS

Ronald D. Moore, arguably Deep Space 9's best writer, is paired with Michael Vejar, one of the show's most reliable directors, for a dark installment involving challenges and betrayals. And Klingons, of course - Moore being the franchise specialist in Klingon episodes. Add in that this is pretty much all payoff for the plot complications that built up in the previous installment, and it's no surprise that Tacking into the Wind is an excellent episode.

The two main plot strands parallel each other in multiple ways. Both involve a regular trying to convince a patriotic leader to take a stand against a destructive influence from within. Both strands also involve characters (Worf and Damar) who have romanticized and idealized their cultures, turning a blind eye to the corruption that has always been there. The result is that, even though the two plots don't brush up against each other even once, it all feels of a piece. Both strands also come to a strong climax, with the overall arc moved forward as a result.

The Bashir/O'Brien story, involving finding a cure for Odo's illness, also gets some screen time, but it proves to the weakest thread. Nothing really happens in this subplot, which ends this episode exactly at the same place it begins: Odo is dying, Section 31 did it, and Bashir needs to get Section 31 to cure it. Sure, they have the beginnings of a plan... But it feels like that could have been dropped in with a line or two of dialogue at the start of the next episode.

Something I really wish had been done, as the episode's only real weakness is that it feels a touch overstuffed. It doesn't feel rushed, thanks to most of the setup having been taken care of in When It Rains... - But it does feel packed, and I think the two "A" plots would have benefited from the removal of the Bashir/O'Brien scenes in order to give the characters and events a bit of breathing room.

Still, if my primary complaint is that too much happened and that I wanted more of the two primary strands, that's not a bad complaint to have. There's no question but that Tacking into the Wind is not only a significant episode, but an extremely good one as well.


Overall Rating: 9/10.

Previous Episode: When It Rains...
Next Episode: Extreme Measures

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7-21. When It Rains...

Chancellor Gowron (Robert O'Reilly) returns to Deep Space 9.

THE PLOT

Damar and several Cardassian leaders have begun an open rebellion against the Dominion, which opens up a potential advantage for Starfleet. But Damar and his men lack the skill set to be resistance fighters. They need someone who can teach them how to wage war with limited resources against a superior enemy. Sisko "volunteers" Kira to act as an advisor to Damar - but a Bajoran advising Cardassians on guerilla tactics is destined to go over badly, and Kira finds herself constantly challenged by Damar's second in command, Gul Rusot (John Vickery).

Kira's situation isn't the only turbulent one. On Bajor, Kai Winn grows closer to comprehending the ritual to release the pah-wraiths, even as Dukat pushes his luck just a little too far. Meanwhile, Dr. Bashir discovers that Odo has contracted the disease afflicting the changelings. When he contacts Starfleet for Odo's old medical scans, hoping to use them to devise a cure, he finds himself stonewalled in a manner highly reminiscent of a certain Section with which he's had previous dealings.

At least things are looking up a bit for Sisko, who finds one advantage salvaged from the disastrous battle for the Chin'toka system. It turns out that with a simple adaptation, Klingon ships can be made immune to the Breen energy weapon. Martok immediately begins planning a hit-and-run campaign to slow the Dominion offensive.

...Which is when Chancellor Gowron arrives to honor Martok's service, and to take personal command of the Klingon forces. His first order? An all-out assault that can only lead to disaster!


CHARACTERS

Capt. Sisko: Realizes immediately that Kira is the exact right person to teach Damar's forces, and sticks firmly to his decision even when Kira expresses hesitance. "Whether you like Damar or not is irrelevant. We need him. The Dominion knows they have to stop his rebellion before it spreads, and it's up to you to see that they don't."

Col. Kira: Has not forgotten that Damar killed Ziyal, whom she regarded as family, but she agrees with Sisko that she will work with her former enemy for the sake of the war. Odo and Garak accompany her on the mission - which proves to be a good thing, as the two of them work to keep Kira and Gul Rusot from each other's throats. Kira voice some hard truths to Damar about running a Resistance, including the impossibility of avoiding Cardassian casualties. "Anyone who's not fighting with you is fighting against you."

Dr. Bashir: When he discovers Odo has been infected with the virus, he feels confident that he can find a cure by simply comparing Odo's current scan with an old one and isolating the differences. What he isn't counting on is stonewalling by Starfleet Medical. He is able to get around that with some (offscreen) assistance from Sisko... only to find a new layer of deception on top of the previous one. That's when he realizes the truth, and prepares to take action that will doubtless form the focus of an upcoming episode.

Damar: Acknowledges his dislike of Kira, but tells Rusot that this hatred is "a luxury (he) can no longer afford." His personal distaste shows in the stiffness of his interactions, but he genuinely listens to her advice and extends every courtesy he can. The enemy (Kira) of his enemy (the Dominion) may not be his friend - but he'll grudgingly accept her as an ally.

Martok/Gowron: Gowron is happy to sing Martok's praises while awarding him The Star of Kahless. But his real purpose is to retake command, to make himself the "savior of the Empire." As Worf observes, Martok's leadership has made him increasingly popular with the Klingon military. Gowron, a schemer who maneuvered his way into power, can only see him as a threat. Unfortunately, the political scheming that led to him becoming Chancellor did not prepare him for large scale combat tactics, leaving the Klingons - and with them, the entire Federation - on the verge of calamity.

Dukat/Winn: The balance of power has firmly shifted from Dukat to Winn. Now that she knows his true identity, she treats him with open scorn, appalled that she shared a bed with a man responsible for so many Bajoran deaths. Not that she can lay claim to any particular moral high ground - When he points out that summoning the pah-wraiths will result in more deaths, she haughtily responds: "The pah-wraiths will spare those whom they find worthy; the rest are of no consequence."


THOUGHTS

When It Rains... adds one more fine episode added to the largely superb final run of this series. Writer Rene Echevarria handles the multiple plot threads well, focusing each thread on the characters: Kira and Damar's mutual unease at having to work together; Bashir's determination to help a friend and patient, and his gradual realization of a conspiracy; Gowron's thirst for glory; Kai Winn's own appetite for power, which is balanced against her disgust at working with Dukat. Four plot threads in one episode, but it never feels choppy because each thread is so strongly rooted in the characters and in the sense that everything is building toward Something Big.

This is the third episode Michael Dorn has directed. Taken alongside the excellent In the Cards and the very good Inquisition, it's clear he has a strong handle on the series and its atmosphere. I find myself actively sorry that he didn't direct more episodes. He may not have the visual eye of Jonathan Frakes or David Livingston, but he definitely knows how to work with the cast, focus on the best elements of the script, and keep the pace moving throughout.

The story itself is mainly another building block in the larger arc, setting up elements for the next installments. Even so, it maintains a strong grip throughout, with each strand promising interesting new developments - and raising anticipation, and expectations, for those remaining installments.


Overall Rating: 8/10.

Previous Episode: The Changing Face of Evil
Next Episode: Tacking into the Wind

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7-14. Chimera.

Odo meets another changeling exile.

THE PLOT

Odo and O'Brien are returning to the station from a conference when a changeling appears on their ship. This changeling, Laas (Garman Hertzler), is not a Founder - He is instead one of the 100 sent by the Founders to learn about the galaxy.

That does not make him a friend. Laas has lived for centuries among "mono-forms," a label he sneeringly applies to all the species on Deep Space 9. Experience has taught him that humanoids cannot trust a changeling, and that their mistrust can turn quickly to anger and violence.

When a public display of shapeshifting inspires violence from a pair of Klingons, Laas feels the incident proves his point. And when he uses lethal force to fend off that attack, the Klingon homeworld demands Laas be given over to their custody - a request Odo is horrified to see Sisko seriously considering!


CHARACTERS

Capt. Sisko: If the viewer steps back and looks at the situation objectively, Sisko isn't nearly as unsympathetic as Odo views him. He's right that Laas was never in any danger from the Klingon, and that his use of deadly force was almost certainly unnecessary. He also isn't advocating turning Laas over to the Klingons - He simply believes that this should be up to the magistrate. Given the full situation, it's hard to argue that he should have behaved differently.

Col. Kira: Is uncomfortable when Odo reveals he linked with Laas. Given what happened the last time Odo linked with another changeling, I don't particularly blame her - But this episode doesn't reference that, not even by inference. Instead, Kira just says something about wishing she was able to link with him. For the most part, this episode reduces her to being the "supportive love interest," though she is at least proactive in jump-starting the final Act.

Odo: Overlooks Laas' role in the Klingon's death a little too easily. If he acknowledged that Laas had escalated the situation while still insisting that he acted in self-defense, it would feel truer to the Odo who has always valued justice above all. That aside, his delight in finding a fellow changeling who isn't a Founder is entirely convincing, as is his rage at seeing Laas treated more harshly than any solid would be in the same situation.

Quark: Acts as the bearer of harsh truths, reminding Odo that the changelings are very different than the humanoid species on the station and that this, in conjunction with the war against the Founders, guides reactions: "Don't you get it, Odo? We humanoids are a product of millions of years of evolution. Our ancestors learned the hard way that what you don't know might kill you. They wouldn't have survived if they hadn't have jumped back when they encountered a snake coiled in the muck. And now millions of years later, that instinct is still there... Watch your step, Odo. We're at war with your people." Quark's view is one that looks entirely at the worst aspects of human nature while ignoring the best (exemplified by Kira's final speech to Odo) - But that doesn't make it wrong, merely incomplete.

Laas: One suspects he'd actually get along well with the Founders, as he shares the view that shapeshifters are inherently superior to solids. His encounter with the Klingons is certainly started by them, but he does everything in his power to make sure the exchange ends in violence - And his reaction to killing the Klingon is so apathetic that it seems that in his mind, he's just swatted a particularly bothersome fly. It's to the episode's credit that while Laas isn't written as a villain, and his motives in trying to tempt Odo from the station are genuine, he is never made to be likable. The victim of bigotry has responded by himself becoming a bigot - and his attitude is every bit as ugly as the ill-fated Klingon's.


THOUGHTS

Chimera is a well-regarded episode. Rene Echevarria's script is intelligent, with a handful of outstanding scenes and exchanges. The character of Laas is entirely convincing, and all the performances are excellent. Despite some quibbles with Kira being reduced to the role of simple love interest for this episode, by any reasonable objective measure, it has to be regarded as a worthy piece.

Unfortunately, I found it to be a bit dull and distancing. If pushed, I would have to admit that I did not enjoy watching it.

That's one reason why this review took a while to appear. I've mentioned in the past how much easier it is to write about a very good or very bad episode. It's easy to rave about something that excites you, intrigues you, or makes you think; it's even easier to make fun of or rant about something you hate. Trying to express thoughts about something that doesn't evoke much response in you? Very difficult.

Chimera is objectively good, but it just didn't much hold my interest. The reactions of Sisko and Laas and, for the most part, Odo are convincingly scripted, and I hugely applaud Rene Echevarria's decision to make Laas unsympathetic. It's a well-turned script, and the few objective faults I can find aren't enough to explain my apathy toward it. This just is not an episode I enjoyed.

With such a sharp divide between objective quality and my own enjoyment (or lack thereof), a final rating is difficult. But these are my reviews, and I'm scoring according to my reactions... So I think I'll parse this one straight down the middle:


Overall Rating: 5/10.

Previous Episode: Field of Fire
Next Episode: Badda-Bing, Badda-Bang

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7-7. Once More Unto the Breach.

Kor (John Colicos) yearns for a return to his glory days.

"Savor the fruit of life, my young friends. It has a sweet taste when it is fresh from the vine. But don't live too long. The taste turns bitter after a time."
-Kor, Dahar Master, teaches his final, bitter lesson.


THE PLOT

Kor (John Colicos) returns to Deep Space 9, seeking Worf's help. He has made too many enemies throughout his long life. Despite his status as a Dahar Master, he is unable to receive a battle command during the current war. He pleads with Worf to find him a place in Martok's fleet. "Help me fight again, Worf. Help me end my life as I've lived it: As a warrior."

Martok becomes enraged at the mention of Kor's name, but allows Worf to assign him as Third Officer on his ship. When Worf presses to know why he hates Kor so much, Martok reveals that long ago, when he was working to become trained as an officer, Kor struck his name from consideration because of his bloodlines. Though Martok would later rise through his own merit, he has never been able to forgive the slight, not least because his father died before he was able to prove himself.

Martok's current mission is a bold one: A strike across enemy lines, to quickly hit a Jem'Hadar breeding facility and then race back to Federation territory, doubtless with the enemy in pursuit. They find their target easily and decloak to begin the attack. But when a hit on Martok's ship leaves both him and Worf temporarily incapacitated, Kor assumes command - Barking orders that make it clear that he cannot distinguish this battle from battles long past!


CHARACTERS

Capt. Sisko: Appreciates the audacity of Martok's plan, which he likens to a cavalry charge. Is so enthusiastic that he offers to join the raid, but settles for waiting at the rendezvous point to turn back any Jem'Hadar pursuit.

Worf: Even after all he's been through, Worf cannot always reconcile the Klingon ideals that he grew up yearning for against the nastier realities of an often corrupt Empire. He labels Kor's long-ago dismissal of the young Martok as "unworthy," barely listening to Kor's protestations about the importance of bloodlines to the Empire. He remains protective of Kor, but never at the expense of his loyalty to Martok or the mission - and when Kor's weakness shows itself, he does not hesitate to remove the old man from active duty.

Ezri: Clearly enjoys seeing Kor again. Even so, she complains to Kira that she keeps having the same conversation with people who knew Dax's previous hosts: incredulity that she could be Dax, then insistence on finding (likely nonexistent) physical similarities between her and previous hosts. She talks about how vividly she remembers being with Kor on a Klingon ship in the past - which Quark, in true sitcom fashion, misinterprets as her talking about wanting to get back together with Worf.

Martok: The episode's central character conflict doesn't center on any of the regulars, but rather on Kor and Martok. Over the past two seasons, J. G. Hertzler's Martok has become part of the series' fabric, and it's a credit to how well DS9 has integrated its recurring cast into its overall tapestry that focusing on an episode on his resentment of a guest character doesn't feel jarring at all. An early scene in which he tells Worf exactly why he despises Kor so much makes the Kor/Martok conflict meaningful. Martok gets his revenge in the second half, his old adversary laid as low as a Klingon warrior likely could be... But he gains no joy from Kor's misery, and his entire attitude shifts from that point on.

Kor: Shades of King Lear, as Kor's bravado in the first half cracks, revealing diminished capacity as he confuses present and past. John Colicos is suitably larger than life as he boasts about his past and basks in the young crew's admiration of him. But his best acting comes in the second half, when a shattered Kor sits and endures the scorn of those same warriors, now mocking him for his age and weakness. What happens next can be seen coming from as far away as the teaser - But to the episode's credit, Kor's final stand works, in large part because Colicos makes us invested in the character.


THOUGHTS

"The only real question is whether you believe in the legend of Davy Crockett or not. If you do, then there should be no doubt in your mind that he died the death of a hero. If you do not believe in the legend, then he was just a man and it does not matter how he died."
-Worf, unwittingly foreshadowing Kor's final mission.

Once More Unto the Breach is utterly predictable in its plot, with no surprises in the way its story unfolds. Kor's disintegration during the first battle is clearly telegraphed, as is his triumph at the end. That Kor will earn Martok's sympathy and, ultimately, his respect is something most viewers will guess before the teaser ends. In story terms, this is pedestrian stuff.

But writer Ronald D. Moore, the default Klingon scribe of both TNG and DS9, has a way of breathing life into this warrior race. Kor, Martok, Worf, and the elderly Darok (Neil Vipond)... They are all fully realized characters, and their interactions resonate. The scene in which Martok and his crew sneer at Kor's mental weakness is the episode's best, Kor reduced to an object of ridicule by the very crew that had previously worshipped him. Director Allan Kroeker keeps the focus of the scene on Kor's face, which is stone-like, betraying no emotion as he endures this verbal onslaught. When he finally does speak, he does so with equal stoicism, weariness in his voice but no real emotion, which makes the effect of his words all the stronger.

The follow-up scene is also good, as a subdued Worf and Martok contemplate how they might appeal to the Klingon Chancellor to grant Kor an honorary position to lend some dignity to his dying days. Kor's acceptance of the insults, and his reply that rang too true, has drained away Martok's antagonism; he recognizes that this could be him in 100 years' time, if he lives that long. It's almost a shame when the action plot returns, with the too-predictable finish, as the character material up to then is so much more compelling than any of the actual combat scenes.

In the end, this is a touch too predictable to rank among this excellent series' greats - But the performances, sharp characterization, and excellent dialogue ensure that it's still quite a good one, and a suitable sendoff for Star Trek's original Klingon.


Overall Rating: 7/10.

Previous Episode: Treachery, Faith and the Great River
Next Episode: The Siege of AR-558

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6-7. You Are Cordially Invited.

No easy ceremony: The wedding of Worf and Dax.

THE PLOT:

A mood of celebration runs through the station in the wake of Sisko's retaking of Deep Space 9. As Sisko observes, the war is far from over and the station will continue to be "one of the most tempting targets in the entire Quadrant." But with business returning to normal and not a Jem'Hadar in sight, the war "seems very far away."

Worf and Dax had agreed to wait until after the war to marry. But when they learn that Worf's son Alexander (Marc Worden) will be transferred to a new ship at the end of the week, they decide to move the wedding up so that he will be a part of it. Both bride and groom have much to do to prepare for the ceremony. Worf gathers his closest friends - Sisko, Martok, Bashir, and O'Brien - to join him for a four-day Klingon bachelor party... which turns out to be an ordeal of deprivation, pain, and violence ("Sounds like marriage all right," Bashir notes).

Meanwhile, Dax greets Martok's wife, Sirella (Shannon Cochran). As mistress of the House of Martok, Sirella must approve of every wedding... which, since Worf joined Martok's House, includes his. Sirella is a Klingon traditionalist, believing that admitting aliens will dilute their sense of identity - leaving Dax fighting an uphill battle to keep this formidable Klingon woman from cancelling the wedding!


CHARACTERS:

Capt. Sisko: One of his first acts after retaking the station is to recommend Martok for the position of Supreme Commander of the 9th Fleet. He brushes off Martok's gruff irritation with sincere congratulations. In an amusing bit of nonverbal business, Sisko becomes protective of his prized baseball when the Klingon shows a little too much interest in it. After a confrontation between Dax and Sirella temporarily derails the wedding, Sisko is the one to confront his old friend, pushing her to set aside her pride and make the needed apologies.

Major Kira: Grins almost constantly at Sisko throughout their first scene in Ops, and tells him how much she hated to say "Good morning, Dukat," during Sisko's absence. She and Odo attempt to avoid each other, not wanting to talk about either his betrayal or his feelings for her. She's the one who finally decides it's silly to dodge each other in hallways and corrals him at Dax's bachelorette party, pulling him into a private room for a long discussion. We don't see the talk, but based on its aftermath - which sees both of them having lost track of time just talking to each other for the first time in a long time - it would appear to have been a good talk.

Worf: As we glimpsed in earlier episodes this season, he has been obsessing over the wedding ever since Dax told him she would marry him. Worf is much like the stereotypical "bridezilla." He has dreamed of his perfect Klingon wedding, obsessed over it, and needs it to be perfect in every detail. When Dax announces that she doesn't really care about Klingon tradition and just wants to get married, he takes it as a direct assault on all he holds dear. In conversation with Martok, he lists all the ways in which he and Dax are mis-matched... Which are also all the ways in which they complement each other so well: "When she is laughing, I am somber. When I am happy, she is crying... She mocks everything, while I take everything seriously. She is nothing like the woman I thought I would marry."

Dax: If Worf has been given the traditional "bride" traits of obsessing ridiculously over the wedding, then Dax has been given the traditional "unconcerned husband" role. She doesn't particularly care about the wedding details, and is perfectly happy to leave all that to Worf. Her very long life-span has cured her of any excitement for weddings: "I've gone through five Trill ceremonies: Three as a bride, two as a groom... I'm a little bored with it." She takes an instant (albeit warranted) dislike to Sirella. When one of her tasks for the Klingon matron is to recite "the chronicle of the women of (Sirella's) family," Dax keeps interjecting with facts from Klingon history that are at odds with the mythology of the chronicle, deliberately baiting her.

O'Brien/Bashir: Or the episode's comedy double-act. Looking forward to a debauched, drunken, four-day Klingon bachelor party, they are gobsmacked when Worf and Martok inform them that they are in for an ordeal. When the wedding is temporarily called off, there's a moment when it seems like they plan to do something to save the day... but their plan of action is to immediately order themselves a feast to celebrate an end to their four-day fast (only to predictably, but still hilariously, have the wedding back on course just as they are about to take their first bite). As he undergoes a particularly painful ritual, Bashir announces that his consciousness has genuinely expanded: "I've had a vision about the future. I can see it so clearly... I'm going to kill Worf!" O'Brien is enthusiastically on-board with the idea.

Quark: In an unguarded moment, he lets slip to Jake that he feels jealous of Worf. He probably doesn't actually "have feelings" for Dax, but he's certainly fond of her. She is a rare non-Ferengi who genuinely enjoys the Ferengi pastimes most of the rest of the Trek races sneer at. She gambles with enthusiasm, haggles when the occasion calls for it, and is a genuine friend to Quark, something that's been very rare in his life. It's no surprise that he thinks she's too good for Worf, a joyless man he describes as "a walking frown."

Martok: It's startling to think that Martok only truly became part of the series' framework in the middle of Season Five, only slightly more than half a season before this episode. By now, he's become an integral part of the series, which shows just how well this show does with its regular and recurring characters. He's the perfect counterpart to Worf: Every bit the true, honorable Klingon warrior, the living model of what Worf inspires to be - Yet at the same time, with a wonderful sense of irreverence and impatience with pompous ceremony for its own sake. J. G. Hertzler is perfect in every scene, and the irritable, growling old warrior steals the show right out from under the rest of the cast.


THOUGHTS:

The first episode after the extended Occupation arc is a character comedy, the first comedy episode the series has provided since In the Cards. This has a nice symmetry to it. The dark, dramatic 7-episode arc that saw the station's fall, Occupation, and finally retaking is bookended with two character-based comedy episodes, allowing some levity and even silliness to counter the heavy material in between.

You Are Cordially Invited is not as splendid as In the Cards. Then again, few episodes are.  This warm, smart, and very funny offering is a joy to watch on its own terms. Ronald D. Moore is hardly the first writer you'd think of for comedy. But the conviction he brings to the characters allows it to work exactly the way character comedy should work. Every person in the show is a fully-realized indivual, driven by a specific viewpoint that makes sense once given context.

Dax and Worf have radically different outlooks on the marriage, but both outlooks make sense: Why should Dax, who has been married numerous times over numerous lifetimes, be excited about yet another wedding? At the same time, why shouldn't Worf, who has always idealized all things Klingon, be insistent on making what he believes will be his only wedding exactly in-keeping with the culture his existence has centered on? Even Sirella, the villain of the piece, has her own viewpoint which is reasonable from her perspective: Why should she give her blessing to a union that, to her, diminishes the purity of her House? She already dislikes that Worf, still officially considered a traitor, is now part of her House. Why should she extend her House to that same traitor's marriage to an alien?

I'll dock the episode a point because we never see how Dax manages to convince Sirella to change her mind about the wedding. It feels like there's a big piece missing - one which in my opinion could have been accommodated by cutting the (overlong) bachelorette party scene in half.

Still, this is an overall well-paced and well-constructed hour. It's a comedy that manages to be extremely funny without ever losing sight of the truth of its characters. Definitely a good one - And quite a bit better than I had expected.


Overall Rating: 7/10.

Previous Episode: Sacrifice of Angels
Next Episode: Resurrection

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6-3. Sons and Daughters.

Worf gets a surprise reunion with his estranged son.

THE PLOT:

The IKS Rotarran, captained by Martok (J. G. Hertzler) with Worf as first officer, rescues Sisko and his crew from Dominion territory and returns them to Starbase 375. At the same time, the Klingon ship takes on replacement crew members - one of whom is Alexander (Marc Worden), Worf's son. Worf is shocked to see the young man, who had previously rejected the life of a Klingon warrior, enlisting to serve the Empire. He is also displeased to see how poorly-suited Alexander is to a warrior life, unable to even hold his own in a simple brawl. The young man is finding his place; unfortunately, that place, as Worf observes, is "as the ship's fool."

Meanwhile, Kira finds herself dealing with a dilemma of her own. Ziyal (Melanie Smith), Gul Dukat's half-Cardassian, half-Bajoran daughter, has returned to the station to try to have a relationship with her father. Dukat is thrilled to have her back in his life - but that doesn't mean he's above using her to manipulate Kira, who is the closest thing she has had to a mother. With Ziyal genuinely wanting relationships with both of them, Kira finds herself pulled back into the personal orbit of the man she most despises...


CHARACTERS:

Capt. Sisko: Only briefly glimpsed, but it is clear that he and Martok share a strong mutual respect - one warrior to another. I look forward to seeing which of them wins Sisko's bet regarding who will first set foot on Deep Space 9.

Worf: Claims that he accepted Alexander's choice not to become a warrior, and has probably convinced himself that this is true. But we learn in this episode that, shortly after the events of TNG's Firstborn, Worf sent the boy back to his human parents.  He has basically not even seen him in the intervening years - a tidy explanation for why Alexander has barely been mentioned during Worf's DS9 tenure. He has difficulty standing back and allowing his son to fail, or even to take a beating, which actually makes things harder for Alexander in fitting in with the crew. In the end, he is able to make a reconciliation with his son, but to the episode's credit it feels like a fragile one.

Martok: The last episode to focus on Martok as ship's captain was Soldiers of the Empire, in which his time as a prisoner of the Dominion left him a shadow of his former self. He only regained his strength when challenged from within. This episode marks a direct contrast, with the Klingon back at his zenith. He is a strong captain, a man who sees and recognizes the dynamics of his crew. He tries at first to get Worf to accept the situation, pointing out that Alexander is finding his own place. When it becomes clear that Worf's effectiveness as first officer is compromised, though, Martok acts decisively, telling the boy that he will be transferred off the ship. "I need (Worf)," he says flatly, "I do not need you."

Major Kira: Though the Klingon material is entertaining enough, the "B" plot is far more engrossing. Nana Visitor's splendid performance is part of the reason why, as Kira finds herself torn between her genuine caring for Ziyal and her loathing for Dukat. It's a problem made worse by how easy it is for her to be briefly comfortable around Dukat, who is very calculated in showing his most charming face when they are in front of Ziyal. There's a particularly fine moment when he sends her a dress. For just a second, Kira is overjoyed at the lovely garment and how beautiful she will look in it. Then her face sinks as she realizes that she is allowing herself to be claimed - bought, and not even at any great cost. Almost as good is the follow-up, as she confronts Dukat. She accurately labels him as "opportunistic" and "power-hungry." In the first two seasons, she would have been spitting the words at him. Here, she just states them as fact, with no rancor or even emotion - Which is likely why he doesn't try any counter-move; games are no fun when the other person has lost interest in playing.

Gul Dukat: I believe his pride in Ziyal is genuine. The one genuinely selfless moment we've ever seen from Dukat was when he sacrificed his position to save her (though admittedly, only after intending to kill her). He wants her to do well, and he wants a positive relationship. But he wants that on his own terms, terms that include being seen by her as some sort of heroic white knight. Being Dukat, it's easier and truer to himself to manipulate reality rather than actually live up to such an image. A telling moment comes right after Kira returns the dress, denounces him, and leaves. Ziyal enters a moment later, asking who was there. Dukat's smile never wavers as he announces that it was "a delivery... Do you like it?" His pleasure is in no way diminished by her adoration of both gift and him being based on a lie.


THOUGHTS:

Sons and Daughters is the weakest Dominion War episode thus far... Which, given how good much of it is, speaks more to the quality of this run of episodes than to any great weakness in this particular script. The Kira/Dukat material is wonderful, with both Nana Visitor and Marc Alaimo in fine form. The Klingon material isn't as strong, but neither is it bad. The episode rolls along at a solid pace, with plenty of good scenes and no particularly bad scenes. It's a solid piece of Trek, that really suffers only in comparison to the four episodes preceding it.

Readers of my TNG reviews are doubtless aware of how little I enjoyed the character of Alexander on that show. His return to the franchise is not a welcome one. Marc Worden is easier to take as an (arguably too much) older Alexander than Brian Bonsall was, but the character remains irritatingly whiny and unsympathetic. He brings out the worst traits of Worf's character, showcasing how inflexible and self-defeatingly stubborn he can be in his dealings with his son. This leaves Martok as the only truly likable character in the Klingon plot, though J. G. Hertzler is thankfully up to the task, stealing every scene in which he's present.

The script cleverly bookends the Klingon drama with a minor drama of Worf's. Dax tells him that she intends to refuse to join Martok's House - something Worf fears would be a grave dishonor. She lets him rant for a moment before revealing that she's just teasing him and fully intends to join the Klingon House. Alexander, Worf's son, has no House and insists on being referred to as "Rozhenko." By episode's end, when Worf has reached a reconciliation with him, Alexander joins Martok's House as Worf had done previously.

A problem with the Klingon plot is that it doesn't really reach much of a climax. There's a minor space battle, but however urgently the actors may speak, it doesn't feel particularly significant. The convoy escort doesn't so much close in triumph as simply run out after a single, fairly uninspired action scene. This, coupled with the "A" plot being far less interesting than the "B" plot, keep the episode feeling a bit small, as if things are being padded out before the next important episode.

In short: Entertaining and probably about as good as an Alexander episode can be. But a fair step below the excellent shows that preceded it.


Overall Rating: 6/10.

Previous Episode: Rocks and Shoals
Next Episode: Behind the Lines

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5-23. Blaze of Glory.

Sisko and Eddington: Keep your friends close...

THE PLOT

Gen. Martok informs Sisko that he has intercepted a Maquis message, clearly directed to captured Maquis leader Michael Eddington (Kenneth Marshall), stating that a missile launch is imminent. Martok reveals that the Klingons provided the Maquis with cloaking technology during the conflict with Cardassia. If the missiles are cloaked, they will be impossible to detect; and if they strike Cardassia, then it will be the start of the very war that they have all been trying so hard to avoid.

There is one hope. If they can locate the launch site, then someone who knows the abort codes will be able to deactivate the missiles remotely. Sisko offers Eddington a full pardon for his cooperation. The Maquis leader is bitter about the destruction of his people by the Dominion. He blames Starfleet in general, and Sisko in particular, for allowing it to happen. He does eventually agree to help - but he warns that once this mission is over, he intends to kill Sisko!


CHARACTERS

Capt. Sisko: He may be willing to deal with Eddington, but it's clear that he has not forgiven the man his betrayal. Though Sisko talks about how Eddington broke his oath to Starfleet, and how Cal Hudson did so before him, Eddington is right when he says that isn't the captain's real problem. Hudson was a personal friend, Eddington a trusted officer. In Sisko's mind, both men did something worse than betray Starfleet - They betrayed him. Sisko sums it up himself, when he realizes exactly what this entire mission has really been about. "I don't like being lied to!" he snarls, punctuating the statement with a punch.

Eddington: When Sisko says that the Maquis should have been pushing for a negotiated peace with the Cardassians, rather than continuing to wage war, Eddington snaps back: "The Maquis won its greatest victories under my leadership... We had the Cardassians on the run!" As Sisko observes, the Cardassians ran to the Dominion, with predictable results for the Maquis. Those words appear to finally resonate when Eddington stands in the midst of corpses of Maquis who were massacred by the Jem'Hadar. Eddington spends the first part of the episode pretending to have a death wish, a ruse Sisko sees through immediately. After he sees the end result of his private war, what had been an act becomes a reality. Kenneth Marshall's performance here is easily his best of the series, and the many sharp exchanges between Eddington and Sisko form this episode's very strong center.

Nog: Gets the episode's "B" plot. His rotation as cadet now having put him with Security, Nog is finding difficulty dealing with Martok and his Klingons. He complains that they don't even acknowledge his presence, just looking over his head when he tries to talk to them about violations of station regulations. After Sisko tells him to stand up to them, to earn their respect by refusing to be intimidated, Nog spends most of the rest of his subplot spoiling for a fight - though when his chance finally comes, his voice quavers with fear even as he forces the confrontation.


THOUGHTS

Blaze of Glory brings the Eddington arc to a close, and to all appearances closes out the DS9 Maquis arc as well. Following up on Gul Dukat's vow to cleanse Cardassian space of the Maquis, this episode reveals that the Jem'Hadar have destroyed them. Which makes sense: The Jem'Hadar were established in their very first appearance as ruthless.  There's no reason they would have wasted any time in removing an enemy from space settled by treaty as Cardassian space... which is now Dominion space.

For Eddington, this means that the cause he fought for, and the people for whom he sacrificed his freedom, have been all but eradicated. And it happened while he was in prison, helpless to do anything except hear about it through news reports. Again, it makes perfect sense that this has engendered massive resentment against Sisko, who made his capture into a personal crusade. Had Sisko simply left him alone, he would have been able to at least try to save his people from the Jem'Hadar, even if all that would have resulted in was him dying alongside them.

Both men have valid points, but both exaggerate their claims. The Maquis may have become more aggressive under Eddington, but the real damage to Cardassia was wrought by the Dominion's eradication of the Obsidian Order and by the Klingon conflict. Sisko, in turn, did make his pursuit of Eddington personal - but Eddington was launching biogenic attacks against entire planets, clearly raising the stakes past what Starfleet was willing to accept. Our knowledge of the backstory lets us see that neither man is entirely wrong, but neither is entirely right.

The plot ticks along at a swift pace, buoyed by some of the most beautiful effects the series has yet offered in the Badlands scenes. The sequence in which Eddington and Sisko desperately evade two Jem'Hadar warships is particularly well-done, outstanding effects edited tautly with the live action to create a truly nail-biting moment. The planet-bound action of the last third is also effective, the stock Trek set given atmosphere by the dim lighting, by the smoke hanging in the air, and by the Maquis corpses that surround both men even as they battle through Jem'Hadar to reach their goal.

All of this makes Blaze of Glory a good episode, but there is a slightly mechanical quality to it that keeps me from rating it as a great one. Part of this is that the Maquis strand, while far better-handled by DS9 than by Voyager, never felt completely a part of the series. Once or twice a season, DS9 would remember the Maquis were there and do an episode involving them. Folding Eddington into the arc upped the stakes a bit (and did something interesting with a previously bland character)... but in the full season that separated Eddington's betrayal from this resolution, there was only one other Maquis episode and a handful of isolated mentions.

All of which leaves the sense that this episode was mainly designed to cut out an inconvenient thread so that it wouldn't distract from the building Dominion conflict. Ira Steven Behr and Robert Hewitt Wolfe are among the show's best writers, and they do a fine job of making the Maquis resolution fit with what's come before. But with only scattered build-up of that arc prior to this point, the ending just doesn't have the power that it should have had.

It's still good, though, and significant within the fabric of the series. It's just a pity that the Maquis were never truly exploited to their full potential.


Overall Rating: 7/10.

Previous Episode: Children of Time
Next Episode: Empok Nor

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5-21. Soldiers of the Empire.

Worf begins to doubt Martok (J. G. Hertzler)'s resolve.

THE PLOT

General Martok (J. G. Hertzler) extends an invitation to Worf: Join him as first officer on the Rotarran, a Klingon Bird of Prey. The Rotarran has been assigned to find the B'Moth, a battle cruiser that disappeared near the Cardassian border. It is a great chance at redemption for both men: Martok, to prove that he remains a strong leader after two years in a Dominion prison camp; Worf, to earn honor in the eyes of the Empire that disbanded his House. Dax also insists on coming along as Science Officer, determined to protect Worf from a crew that she can tell is dangerous.

Dax is right: The crew of the Rotarran is in a dark state. Ever since the Cardassians allied themselves with the Jem'Hadar, the Klingon ship has suffered one defeat after another. The Klingons are hungry for a victory, any victory. When Martok plots a course designed to avoid battle, insisting on focusing on the mission, the atmosphere goes from dark to dangerous. And when Martok plays it safe a second time, passing up a potentially easy kill for fear of a Dominion trap, the crew starts to hover on the edge of mutiny!


CHARACTERS

Capt. Sisko: Talks with Worf before granting the request to temporarily release him to be Martok's first officer. He mainly wants to make sure that Worf genuinely desires this. When Worf explains why he feels loyal to Martok, he adds that he isn't sure Sisko, a human, can understand. Sisko's expression says otherwise, and he grants the request with no further questions.

Worf: His loyalty to Martok stems from his time in the Jem'Hadar prison camp. When the Jem'Hadar forced him to fight in their arena, he could see no end to the cycle and considered letting them win. Martok recognized his intent and stopped him with a single look, saving Worf's life and allowing him to eventually escape. His defense of Martok even when it becomes clear that the general is going out of his way to avoid a fight feels more like something from his human upbringing than from the Klingon values he has always prized. When situations force him to finally confront Martok, that loyalty is still in evidence - something Martok again recognizes, fortunately for Worf.

Dax: With Worf behaving more like a human, it falls to Dax to be "more Klingon than Klingon" this week. She bonds with the crew quite quickly, having calculated exactly how to ingratiate herself: Her first day in the mess hall, she picks just the right fight as a prelude to delivering three crates of blood wine. She quickly recognizes that the crew is in despair over their string of defeats. Worf sees this too, but Dax sees what he does not: Namely, the danger to Worf and Martok in this situation. She pushes Worf at every turn, reminding him that this is not a Federation ship: "If you think the blood looks bad on my uniform, wait until the decks are dripping with it!"

Martok: "Broken" by the Jem'Hadar, just as the crew of the Rotarran has been. Like the crew, he needs a victory to restore his confidence. But he's too fearful of the Jem'Hadar to actually get one. Having fallen victim to them once, he sees Dominion traps in every situation. His first choice, to avoid a nebula where warships are certain to be, is sensible: Their mission is to find the B'Moth, not to endanger the ship needlessly. But when he avoids a fight with a Jem'Hadar ship directly in their path just because a trap is possible, it's clear that he is afraid. Once again, his crew directly reflects him, as we see one Klingon officer drunkenly talk about how the Jem'Hadar's lack of honor makes them "better... they're faster and they're stronger than we are!" When Martok refuses to rescue the ship they've been sent to retrieve just because it drifted across the border, he sparks a challenge - and when Martok wins that challenge, his crew begin chanting his name, then singing as he recovers his Klingon blood lust and presses forward into the very battle he (and the ship) have dreaded.


THOUGHTS

In terms of developing the Klingons, Soldiers of the Empire doesn't add anything new to Trek lore. The Klingons live by a warrior code. There is a very specific structure to the way in which a Klingon warrior may advance by challenging his superior, and that structure and code keep the society from chaos despite the chaotic way their culture may appear from the outside. An honorable victory is what a warrior lives for, and defeat is ignominy... All of which is ground tread by previous TNG and DS9 episodes many times before.

What keeps this episode from feeling like a stale retread is the way it is framed. Putting our regulars on a Klingon ship, serving with a Klingon crew, heavily recalls TNG's A Matter of Honor. But the ship Worf and Dax serve on is a ship that has endured a series of defeats, to the point at which the crew now goes into battle expecting to be defeated. This gives it a different flavor from other Klingon episodes, as Worf and Dax must watch their backs around this dangerously demoralized crew even as Worf slowly comes to realize that he will have to challenge Martok for the captain's seat.

Like many Klingon episodes, this is very broadly played, almost operatic in tone and style... Which works, because the Klingons feel right and the dimmer lighting and more claustrophobic set design of the Bird of Prey interiors adds an atmosphere well-suited to the proceedings. It isn't actually an action episode - A brawl that's cut short by Dax and a knife fight at the climax are the only two "action" pieces in the show. But Moore's script and Levar Burton's steady directing keep the tension of the situation tangible, with the viewer left waiting right along with the characters for it to reach its boiling point.

What keeps this from reaching the heights of the best Klingon episodes, such as TNG's Sins of the Father or DS9's The Way of the Warrior, is the guest cast. The crew of the Rotarran are a bunch of one-dimensional "types." There's the drunken one, there's the dangerous one, there's the sympathetic woman... I couldn't even tell you any of the characters' names unless I wanted to look them up. The script is effective in having the crew's fractured state reflect Martok's fractured state, and in bringing the crew together as a unified force just as Martok recovers his old Klingon fire... But I can't help but think that the same could have been accomplished while making at least one or two members of the crew into layered characters.

The weak guest characters are made up for by very strong characterizations of the regular and recurring cast. Moore's script gives Worf and Dax very strong material, with this being one of the best Dax episodes in a while. Martok continues to develop as a memorable and interesting recurring character, and his friendship with Worf promises to become another of the several wonderful character relationships this show has created.  That's more than enough to make this a good episode... Even if it leaves it short of being a great one.


Overall Rating: 8/10.

Previous Episode: Ferengi Love Songs
Next Episode: Children of Time

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5-15. By Inferno's Light.

Gul Dukat gives Cardassia to the Dominion.

THE PLOT

Worf, Garak, Dr. Bashir, and the Klingon general Martok (J. G. Hertzler) are all prisoners of the Jem'Hadar. They have a plan for escape - but it hinges on Garak being able to modify Enabran Tain's transmitter to beam them to Worf's runabout. Garak is the only one among them with the technical knowledge to make this work... something that's badly complicated by Garak's extreme claustrophobia.

Back on Deep Space 9, what appears to be a massing Dominion attack is turned on its head when the Dominion fleet flies right past the station on its way to Cardassia Prime. Gul Dukat's ship flies after them - but not to try to attack or pass the fleet to warn Cardassia. Dukat has been in secret negotiations to join the Dominion, and is being installed as the new Cardassian ruler.

Dukat's first order of business is a promise to his people. He will restore the empire to full strength: "There will not be a single Klingon alive inside Cardassian territory or a single Maquis colony left within our borders. Cardassia will be made whole. All that we have lost will be ours again, and anyone who stands in our way will be destroyed!"As he explains to Sisko, Cardassian territory includes Deep Space 9. And with the Changeling impersonating Dr. Bashir preparing mass sabotage of the station, its destruction may be imminent!


CHARACTERS

Capt. Sisko: Even though Sisko is left to mostly react to events, he still doesn't project the slightest weakness in his conversations with Dukat.  He actively encourages the Cardassian to try to take the station from him, in a tone and manner that should give pause to even the most power-mad of egotists.  He is able to convince Klingon Chancellor Gowron (Robert O'Reilly) to re-commit to the Khitomer Accords, so that the Federation and the Klingon Empire can stand united against the Dominion. Finally, when he realizes that the Bashir he has been trusting is a Changeling infiltrator, he doesn't hesitate to order "Bashir's" shuttle destroyed. 

Worf: Earns Martok's respect by accepting one Jem'Hadar challenge after another, and defeating every one of them. Even as Worf becomes steadily more injured, he refuses to decline a challenge. His sense of honor will not allow him to yield. His final fight is against Ikat'ika (James Horan), the Jem'Hadar First of the camp. By this point, Worf is too badly injured to put up much of a fight, but he still refuses to yield even when both Martok and Ikat'ika insist that "honor has been satisfied." His stubbornness leads Ikat'ika to yield, the Jem'Hadar stating: "I cannot defeat this Klingon. All I can do is kill him - and that no longer holds my interest."

Dr. Bashir: Part One revealed that for the last several episodes, the Bashir on Deep Space 9 was actually a Changeling while the real Bashir languished in a Jem'Hadar prison. This episode cuts between both Bashirs, showing an effective contrast. Changeling Bashir is very smooth and unflappable. The real Bashir's compassion shows itself as he tries to talk Worf out of continuing his fights with the Jem'Hadar and as he insists on Garak taking regular breaks in his work. It really makes me want to go back and watch the last several episodes again, to see if I can spot differences in Bashir's behavior after the fact. I do think it's a missed opportunity that they didn't pick his separation from his allies during Nor the Battle to the Strong the moment at which he was taken, though - It would have turned that episode's one weak point (his miraculous, off-screen return to base) into a retroactive strength.

Garak: The Garak we see here is largely robbed of his silver tongue. He is forced to face his greatest internal fear, and that strips away his acerbic armor. It does seem that Tain truly was his father (something I doubted at the end of Part One). It also seems clear that he genuinely does care about Ziyal, trying to push himself to overcome his claustrophobia by invoking his promise to her to return. I wouldn't want to see Garak this vulnerable very often, but it is worthwhile to see it occasionally. Knowing that there is a real core underneath the act makes him more complex, not less - And I'm sure another episode will come along in due course to remind us that he is a formidable figure in his own right.

Gul Dukat: "One man's villain is another man's hero." Dukat really does see himself as the hero, striking the devil's bargain with the Dominion in order to make his people strong again. It's completely consistent with what we've seen in previous episodes. In Return to Grace, he was outraged when his government overlooked Klingon aggression in Cardassian space, denouncing the new government as "paralyzed... beaten and defeated." He proclaimed himself "the only Cardassian left!" In his mind, selling his people out to the Dominion is an act of patriotism, to restore his empire to its former glory. Given the shared (pointless) resentment among some fans of the two shows, I hate to throw a Babylon 5 reference in - but Dukat's bargain with the Dominion strongly recalls Londo's dealings with Mr. Morden. I suspect they will lead in a similar direction, but likely without the redemption Londo found.


THOUGHTS

By Inferno's Light makes good use of the many strands left by In Purgatory's Shadow. This is a true Part Two, carrying on both the tone and narrative of Part One. It also functions as a piece of a larger arc. The immediate threat is resolved by the end of the episode, but the series has shifted in a fundamental way by the end.

The 2-parter continues to balance momentum against strong character moments. As the station braces for a Dominion attack, O'Brien sends his family to Bajor for refuge. He comments to "Bashir" that Molly is getting old enough to know when something's wrong, and that he doesn't like seeing her worried or afraid. Dukat says farewell to Kira, observing that it never felt right for the two of them to be on the same side. Quark looks at a potential Dominion takeover in terms of its effect on business: Neither the Founder nor the Jem'Hadar eat, drink, or have sex, which are Quark's three main profit lines. Little moments like these only take a minute or so, and therefore don't interfere with the pace - but they do a lot to personalize the plot developments for the characters, and they make the characters feel that much more real for taking that spare minute here and there.

I was fearful of a weak finish, but that doesn't end up happening. The Bashir Changeling is exposed and his immediate plot is foiled. Beyond that, the Federation and the Klingon Empire are firmly allies again, the end of their conflict fused to the Dominion arc just as the beginning of it was. But as we fade to black, the overall situation is far more grim and far less stable than it has been. 

The Dominion now has a presence in the Alpha Quadrant. The Dominion/Cardassian alliance has driven the Klingons out of Cardassian space. The Maquis will likely be similarly driven out, as the Dominion's scorched Earth tactics will make a guerilla war untenable. Finally, Dukat's ending conversation with Sisko makes it clear that he sees Deep Space 9 as Cardassian property - and that he fully intends to take it back or destroy it. This leaves a threat of war hanging over Deep Space 9's head, a threat which I suspect will materialize right around the season's end.

In short, it's hard to imagine that things can just go back to "business as usual" for the last part of the season. The status quo has changed - and not in a way that can remain stable for long. I look forward to the point at which it will shift again.


Overall Rating: 10/10.

Previous Episode: In Purgatory's Shadow
Next Episode: Dr. Bashir, I Presume


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