7-25 - 7-26. What You Leave Behind.

The Dominion War ends the way wars do -
With leaders gathered around a conference table.

THE PLOT

The stage has been set for the final battle of the Dominion War. The Dominion has pulled back to defensive positions around Cardassia Prime, and Sisko and Martok lead their alliance in an invasion. There is a weak point in the Dominion defenses, and that is where they will strike with full force - And with the aid of Damar's growing Cardassian rebellion.

Even as the Federation and the Dominion put their full strength into the battle, another dark plot advances back on Bajor. Kai Winn has finished studying the Book of the Kosst Amojan. She and Dukat proceed to the Fire Caves to perform the ritual that will unleash the pah-Wraiths on the galaxy.

"Soon, the pah-Wraiths will burn across Bajor, the Celestial Temple, the Alpha Quadrant! Can you picture it? An entire universe in flames, to burn for all eternity!"


CHARACTERS

Capt. Sisko: Makes a deal with Martok and Admiral Ross to share a bottle of blood wine once they have won the battle. When the three men meet on Cardassia, however, Sisko looks at the devastation surrounding them and finds he has no stomach for celebrating this carnage. He ends the episode by fulfilling the Prophets' role for him as Emissary, moving on from the station and the relationships he has forged - Though he does promise Kasidy that he'll return. This last was apparently a late addition, insisted on by Avery Brooks - Who was 100% right to do so; Sisko would never willingly abandon his family, particularly with a baby on the way.

Col. Kira: There's a particularly good scene early in the episode. She, Damar, and Garak have just sabotaged the power in the capital, and Weyoun makes a televised announcement in response. Garak and Damar are giddy, waiting to see what Weyoun will say. Kira is far more subdued, her expression growing ever graver as Weyoun speaks. Unlike her two compatriots, she knows all too well what's coming next. During the Occupation, she saw and heard 100 such speeches from Gul Dukat, and knows that reprisals against the innocent are sure to follow. Great nonverbal acting by Nana Visitor, adding an extra layer onto an already good scene.

Odo: Unsuprisingly, Odo is key to the resolution of the Dominion War - Though I'm a bit surprised (and disappointed) that there's no follow-up to his frustration last episode at Starfleet's tolerance of the Dominion plague. Odo does admit his desire to return to his people, and volunteers to effectively act as an ambassador to them, sharing his experiences with "Solids" through the Great Link to change his people's point of view.

Damar: Remains constantly focused on stopping the Dominion. When it appears he is about to be executed, he uses what he believes will be his last moments to speak out in defiance. A terrific scene has Damar, Kira, and Garak sharing a moment of uncontrollable, semi-hysterical laughter when it appears their efforts have been thwarted by something as simple as an impenetrable locked door.

Weyoun/female changeling: Both severely misjudge Cardassia. After Damar's attack disrupts communications, they decide to take reprisals against the civilian population. Instead of quelling rebellion, their harsh actions intensify it, turning the Cardassian military against the Dominion. This is especially ill-timed for the Dominion, as the Cardassian shift turns the tide of a battle Starfleet had been losing.

Garak: Had always dreamed of returning home one day. Now that he finds himself on Cardassia, it's a shell barely recognizable as the powerful world he left behind. His one friend on the planet is brutally murdered by the Dominion, and Weyoun sneers at him about "what's left of" Cardassia. Yet another misjudgment on Weyoun's part, as Garak is far from being an honorable Federation officer bound to behave with mercy toward a prisoner. With the war won, Garak has the toughest job of all - Being left to pick up the pieces of a world that he's been outcast from, but whose culture and society he's always taken pride in. His final scene, opposite Dr. Bashir, is wonderfully written and performed, a suitable place to leave one of the franchise's richest supporting characters.

Kai Winn: Has waited for Gul Dukat to recover from his blindness before completing the ritual, something Dukat takes as sentimentality. Of course, this is Winn we're dealing with, so the real purpose is a bit darker. She continues to harbor resentment at his seduction of her under false pretenses, and tells him that he has no right to refer to her by her first name. "From now on, you will address me as 'Your Eminence.' Is that clear?" She becomes giddy at the anticipation of power when they finally reach the Fire Caves - But once the pah-Wraiths take possession of Dukat as their true intended Emissary, she finally realizes what she has done and assists Sisko in defeating the evil she has unleashed.

Gul Dukat: The most disappointing aspect of this finale is the characterization of Dukat, who is reduced from a wonderfully complex villain to just an evil caricature. I can rationalize away his final scenes as being not really Dukat - Once the pah-wraith takes possession, it makes sense that only his worst aspects would be on display. Even so, his evil cackling and final Villain Speech to Sisko feel unworthy of the character created over the course of the series. It's rare for Dukat to be the weakest element of an episode... But in this instance, he strikes the only sour note of the entire 90 minutes.


"NOT THE CARDASSIA I KNEW": CHANGES AND FAREWELLS

"Some may say that we've gotten exactly what we deserve... Our entire history is one of arrogant aggression. We collaborated with the Dominion, betrayed the Alpha Quadrant - There's no doubt about it, we're guilty as charged... (but) our literature, music, art were second to none. And now, so much of it is lost. So many of our best people, our most gifted minds..."
-Garak, reflecting on the cost of war.

What You Leave Behind is a fine finale to the Dominion War arc and to Deep Space 9 in general. It does the basics of what it needs to do, tying up the major plot and character arcs in ways that make sense for the characters. But it also is a celebration of one of Deep Space 9's greatest strengths: It's ability to be a true ensemble piece.

The episode is appropriately titled, in that every character is leaving something behind. Garak and Damar must leave behind the ideal of the strong Cardassia they remember. As Damar has previously observed, that Cardassia is dead; as Garak laments here, so much of the literature, art, and culture that he has celebrated for the entire run of the series has been destroyed in the fighting. Cardassia will survive, but as a shell of its former self.

Virtually all of the regulars make major life changes, with several leaving the station behind and their former lives in pursuit of new roles. Chief O'Brien leaves Deep Space 9 for a plumb job on Earth, leaving him more time for family but also leaving his friendship with Bashir behind. Quark and Odo leave their rivalry behind in a wonderfully unsentimental, utterly unfriendly farewell scene that leaves Quark beaming with pleasure... almost as much as the reassurance that Kira will keep the same kind of eye on him now that Odo did in the past. Kira and Odo leave their relationship behind, and Sisko leaves for a new role with no certainty as to when he might return. Quark protests at one point that he hates change - But from top to bottom, the lives of the characters are poised to change in big ways as they move on to their next chapters.

Much of this plays out in an extended epilogue, as the characters prepare to move on and pause to relive flashbacks of their time on the station. This plays out as clips of past episodes, representing their memories. Jadzia's absence from the clips representing Worf's farewell sticks out like a sore thumb - It's obvious that Terry Farrell must have declined permission for her footage to be used, but it diminishes Worf's bit as this leaves out the most formative events of his time on the station. But overall, while the clips are unquestionably self-indulgent, the indulgence works. We've become invested in these characters, and looking back on their journeys is effective on many levels.


"YOU LOOK DISAPPOINTED...": WINN, DUKAT, AND THE PAH-WRAITHS

About halfway through the episode, Winn finishes leading Dukat to the Fire Caves. Dukat is visibly underwhelmed, prompting Winn to needle him at his disappointment. Unfortunately, Dukat's reaction to the Fire Caves pretty much sums up my reaction to this entire subplot. "I know this sounds naive, but I was expecting to see fire!"

After several episodes of build-up, the Dukat/Winn strand vanished entirely in recent entries. This was fine - After being prominently featured in four episodes running, it was time to take a break from them, and I felt sure that when we rejoined them the wait would have proved worth it. Instead, their material feels tacked-on and vaguely rushed. Dukat's blindness is cured offscreen, with no struggle at all. They then spend the entire first half on a light hike to a cave and more or less sit around and wait for Sisko to have his end-of-series confrontation with Dukat.

In contrast to the close out of the Dominion arc, none of this material is compelling or even particularly interesting. Louise Fletcher and Marc Alaimo do what they can (which is actually quite a lot), but their strand doesn't really connect to anything else or build to anything in particular. Compared to the incisive character study of the episode-long Sisko/Dukat interaction in Waltz, their confrontation here is just a generic scene pitting an action hero against a sneering villain. Both characters deserve a lot better.


CONCLUSION

Emotionally, I would love to give What You Leave Behind a "10." It's the finale to my favorite Star Trek series, the Dominion wrap-up is superb, and the character endings are emotionally satisfying. But after all the buildup the Dukat/Winn arc was given, it ends up feeling like an afterthought, and one that diminishes Dukat's character in particular. It's not enough of a fault to keep this from being a first-rate episode... But it is enough to cost it full marks.

Overall Rating: 9/10.

Previous Episode: The Dogs of War

Season Seven Overview (not yet posted)

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7-7. Once More Unto the Breach.

Kor (John Colicos) yearns for a return to his glory days.

"Savor the fruit of life, my young friends. It has a sweet taste when it is fresh from the vine. But don't live too long. The taste turns bitter after a time."
-Kor, Dahar Master, teaches his final, bitter lesson.


THE PLOT

Kor (John Colicos) returns to Deep Space 9, seeking Worf's help. He has made too many enemies throughout his long life. Despite his status as a Dahar Master, he is unable to receive a battle command during the current war. He pleads with Worf to find him a place in Martok's fleet. "Help me fight again, Worf. Help me end my life as I've lived it: As a warrior."

Martok becomes enraged at the mention of Kor's name, but allows Worf to assign him as Third Officer on his ship. When Worf presses to know why he hates Kor so much, Martok reveals that long ago, when he was working to become trained as an officer, Kor struck his name from consideration because of his bloodlines. Though Martok would later rise through his own merit, he has never been able to forgive the slight, not least because his father died before he was able to prove himself.

Martok's current mission is a bold one: A strike across enemy lines, to quickly hit a Jem'Hadar breeding facility and then race back to Federation territory, doubtless with the enemy in pursuit. They find their target easily and decloak to begin the attack. But when a hit on Martok's ship leaves both him and Worf temporarily incapacitated, Kor assumes command - Barking orders that make it clear that he cannot distinguish this battle from battles long past!


CHARACTERS

Capt. Sisko: Appreciates the audacity of Martok's plan, which he likens to a cavalry charge. Is so enthusiastic that he offers to join the raid, but settles for waiting at the rendezvous point to turn back any Jem'Hadar pursuit.

Worf: Even after all he's been through, Worf cannot always reconcile the Klingon ideals that he grew up yearning for against the nastier realities of an often corrupt Empire. He labels Kor's long-ago dismissal of the young Martok as "unworthy," barely listening to Kor's protestations about the importance of bloodlines to the Empire. He remains protective of Kor, but never at the expense of his loyalty to Martok or the mission - and when Kor's weakness shows itself, he does not hesitate to remove the old man from active duty.

Ezri: Clearly enjoys seeing Kor again. Even so, she complains to Kira that she keeps having the same conversation with people who knew Dax's previous hosts: incredulity that she could be Dax, then insistence on finding (likely nonexistent) physical similarities between her and previous hosts. She talks about how vividly she remembers being with Kor on a Klingon ship in the past - which Quark, in true sitcom fashion, misinterprets as her talking about wanting to get back together with Worf.

Martok: The episode's central character conflict doesn't center on any of the regulars, but rather on Kor and Martok. Over the past two seasons, J. G. Hertzler's Martok has become part of the series' fabric, and it's a credit to how well DS9 has integrated its recurring cast into its overall tapestry that focusing on an episode on his resentment of a guest character doesn't feel jarring at all. An early scene in which he tells Worf exactly why he despises Kor so much makes the Kor/Martok conflict meaningful. Martok gets his revenge in the second half, his old adversary laid as low as a Klingon warrior likely could be... But he gains no joy from Kor's misery, and his entire attitude shifts from that point on.

Kor: Shades of King Lear, as Kor's bravado in the first half cracks, revealing diminished capacity as he confuses present and past. John Colicos is suitably larger than life as he boasts about his past and basks in the young crew's admiration of him. But his best acting comes in the second half, when a shattered Kor sits and endures the scorn of those same warriors, now mocking him for his age and weakness. What happens next can be seen coming from as far away as the teaser - But to the episode's credit, Kor's final stand works, in large part because Colicos makes us invested in the character.


THOUGHTS

"The only real question is whether you believe in the legend of Davy Crockett or not. If you do, then there should be no doubt in your mind that he died the death of a hero. If you do not believe in the legend, then he was just a man and it does not matter how he died."
-Worf, unwittingly foreshadowing Kor's final mission.

Once More Unto the Breach is utterly predictable in its plot, with no surprises in the way its story unfolds. Kor's disintegration during the first battle is clearly telegraphed, as is his triumph at the end. That Kor will earn Martok's sympathy and, ultimately, his respect is something most viewers will guess before the teaser ends. In story terms, this is pedestrian stuff.

But writer Ronald D. Moore, the default Klingon scribe of both TNG and DS9, has a way of breathing life into this warrior race. Kor, Martok, Worf, and the elderly Darok (Neil Vipond)... They are all fully realized characters, and their interactions resonate. The scene in which Martok and his crew sneer at Kor's mental weakness is the episode's best, Kor reduced to an object of ridicule by the very crew that had previously worshipped him. Director Allan Kroeker keeps the focus of the scene on Kor's face, which is stone-like, betraying no emotion as he endures this verbal onslaught. When he finally does speak, he does so with equal stoicism, weariness in his voice but no real emotion, which makes the effect of his words all the stronger.

The follow-up scene is also good, as a subdued Worf and Martok contemplate how they might appeal to the Klingon Chancellor to grant Kor an honorary position to lend some dignity to his dying days. Kor's acceptance of the insults, and his reply that rang too true, has drained away Martok's antagonism; he recognizes that this could be him in 100 years' time, if he lives that long. It's almost a shame when the action plot returns, with the too-predictable finish, as the character material up to then is so much more compelling than any of the actual combat scenes.

In the end, this is a touch too predictable to rank among this excellent series' greats - But the performances, sharp characterization, and excellent dialogue ensure that it's still quite a good one, and a suitable sendoff for Star Trek's original Klingon.


Overall Rating: 7/10.

Previous Episode: Treachery, Faith and the Great River
Next Episode: The Siege of AR-558

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Thoughts on Season Six.

Starfleet prepares for what might be its final battle.

Deep Space 9's fifth season ended with the start of the Dominion War. Deep Space 9 fell under Dominion control, with Gul Dukat once again in command - though facing a promise from Sisko to return. This season ends with the station back in Starfleet control, but with the war still raging and victory far from assured. Along the way, two major characters die, another is changed forever, and the series generally continues to raise its already very high stakes.


"IT IS THE ORDER OF THINGS": WAGING WAR

I complained in Season Five that Apocalypse Rising too easily resolved the Starfleet/Klingon conflict within the space of just one episode. This season does not repeat that mistake. Sisko retakes the station... but only after a run of six episodes, in which all the characters face trials. The Founders offer Odo everything he ever wanted, and he briefly falls to that temptation. Kira finds herself in another Occupation, this time as the very type of collaborator she has always despised. Sisko leads an assault knowing full well that most of those following him will not survive, and even that isn't enough - He's ultimately forced to be not a Starfleet officer, but the Emissary, confronting the Prophets and pushing them to intervene.

That intervention wins Sisko back his station, but it doesn't end the war. Just a few episodes later, Dr. Bashir and a group of emotionally damaged geniuses deliver the devastating news that it is mathematically impossible for Starfleet to win this war. Throughout the season, we see people reading casualty counts, and watch the regulars grow quieter and more isolated as they learn of the losses of people they knew. Planets fall to the Dominion, and only a desperate deception by Sisko is enough to put the enemy on the defensive.

The season ends with Sisko choosing to be a Starfleet officer instead of the Emissary - the exact opposite of the choice that won him back the station. The personal cost to him is devastating, and he fails as a Starfleet officer at the same time. Even though the season finale portrays what should be a major Starfleet victory, it feels like a defeat - and ends with the sense that the hardest part is still to come...

In the Pale Moonlight: Sisko is haunted by difficult
choices in the season (and maybe the series)'s best episode.

"THE MOST DAMNING THING OF ALL? I THINK I CAN LIVE WITH IT": THE CHARACTERS

Deep Space 9 has never shied from putting its characters through the wringer, but Season Six is even more unforgiving to the regulars than previous years. Feeling depressed and powerless, Sisko experiences a vision of life as an African-American writer in the 1950's, getting a taste of true powerlessness. A few episodes later, he resolves to bring the Romulans into the war on Starfleet's side - but to do so means compromising everything he believes in... And at the end of the episode, he decides that the price was worth it.

Meanwhile, Kira learns that everything she learned about her mother as a stalwart member of the Resistance was a lie.  The Orb of Time reveals her mother to have been a woman who willingly became Gul Dukat's mistress in exchange for comfort for herself and food for her family. Kira probably only survived her childhood because of her mother's actions - but by her own strict code, Kira can only view her as a collaborator. This is only about half a season after she wrestles with fears that she has herself become a collaborator for urging Bajor not to resist the Dominion.

Odo is not only tempted by the female changeling (Salome Jens) - He gives into that temptation, betraying his friends. He snaps out of it when the female changeling overplays her hand by threatening to execute Kira. But that doesn't change his actions at the time, without which Sisko's appeal to the Prophets would have been unnecessary.

The characters are tested repeatedly through the season, and they don't always pass their tests. Or - as with Sisko's gambit to bring the Romulans into the war at a steep moral cost - it's left open to debate as to whether the choices made were right or wrong... Or wrong but sadly necessary.

Profite & Lace: Quark gets in touch with his
feminine side in the series's most notorious episode.

"HOPE AND DESPAIR WALK ARM IN ARM": QUALITY CONTROL

Season Six opens with a stunning run of episodes. The weakest installment of the first seven is Sons and Daughters, which suffers from a weak plot, but remains watchable thanks to good character material. So of the first seven episodes - more than a quarter of the season - the weakest episode is "okay," and the remainder vary between very good and outstanding.

It was a given that the entire season wasn't going to keep up that level. Once the Dominion Occupation is resolved, the season returns to the series' normal hit rate - which is still pretty darn good and refreshingly varied even around the central Dominion War thread. The Magnificent Ferengi delivers one of the series' better comedy outings, followed by Waltz's redefinition of the character of Gul Dukat, followed by the enjoyable caper Who Mourns for Morn?, followed by the truly remarkable Far Beyond the Stars. All of these are good episodes, and despite their stark differences in tone and style, they all fit perfectly within the series' framework.

It's become sadly standard for the last third or so of the season to see a sharp increase in filler episodes or episodes that feel like filler, and that trend does continue in Season Six.  Change of Heart and The Reckoning should be big episodes, the first doing some important character work for Worf and Dax, the second directly laying groundwork for the season finale... but neither episode fully hits the mark, with Change of Heart feeling small and stagy, and The Reckoning deteriorating into silliness.  Time's Orphan is pure filler that feels like something left over from Season Two or Three.  And it's made all the worse by coming immediately after Profit and Lace, which may not quite have lived down to its disastrous reputation but was still a pretty bad episode.

Still, if that last bit of the season feels a bit stretched, those weaker installments become easy enough to forgive when you reach a gem like In the Pale Moonlight or Tears of the Prophets.  And a quick survey of the scores I awarded this season show that it isn't hard to find gems in Season Six.

Dax and Worf struggle to balance their
relationship with mission priorities.

"I HAVE TO MAKE THINGS RIGHT AGAIN": SEASON SEVEN WISHLIST

I'll admit: I'm worried about introducing a new Dax in Season Seven. That's not a knock on Nicole de Boer, who is both a perfectly fine actress and a likable screen presence. I just can't help but feel that it's a bit late in the day to introduce a new character - particularly when the series has so many plot and character threads to tie up. I'll keep an open mind, and I'm actively curious to see how Ezri integrates into the crew (I have never seen a single Season Seven episode)... But my instinct is that it's too late in the day to properly develop a new character and that when they killed Jadzia, they should probably have killed Dax at the same time.

Beyond that, it would seem presumptuous to have a wish list for a show that so consistently impresses me. For the most part, Season Six has felt like a series at its absolute apex. I tend to suspect Season Seven won't quite match its heights (though I'm eager to be proved wrong!). Regardless, it is breathtaking to see just how good a Star Trek show can be when it's willing to take risks and follow up on plot and character turns, rather than simply resetting everything on a weekly basis.

A wake for the fallen.

Deep Space 9 is more than just a great Star Trek series. This is one of the finest science fiction television sagas I have ever witnessed. I look forward to watching the unfolding of its final chapter.

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6-22. Valiant.

Jake and Nog find themselves on a ship crewed entirely by cadets.

THE PLOT

Jake and Nog are heading to Feringinar on a runabout - Nog to officially represent Starfleet in asking for the Grand Nagus' aid with the war effort, Jake in hopes of getting an interview with the Nagus. Their journey is cut short, however, when they stumble right in the middle of a squadron of Jem'Hadar. Hopelessly outmatched, the two youths appear moments from death. Then the Valiant appears. A Defiant-class ship sent on a mission behind enemy lines, it effortlessly destroys the runabout's pursuers and beams Jake and Nog to safety.

To their surprise, the ship's crew is made up of cadets. Members of Red Squad, Starfleet Academy's elite cadet unit, they were on a training mission when they came under Dominion attack. The experienced Captain Ramirez was killed in the battle. Tim Watters (Paul Popowich), the senior cadet, assumed command, and has been continuing to fight ever since.

Watters insists on fulfilling a mission intended for Capt. Ramirez, to scan and analyze a new Dominion warship. The Valiant has been unable to complete the mission, because of the same engine problems that initially plagued the Defiant. Nog's familiarity with this problem allows him to get the engines up to speed - allowing them to catch up with and scan the warship without incident.

Then Watters decides to take his mission one step further. Instead of returning to Starfleet with the data, he decides they will exploit the weak spot they've identified and destroy the ship themselves - A plan that Jake feels is certain death...


CHARACTERS

Capt. Sisko: Present only at the very end, when the Defiant receives a Starfleet distress call from an escape pod behind enemy lines. Sisko listens to the caution that this may be a Dominion trap, and acknowledges the possibility - But he also knows it might not be a trap, and decides they have to answer the distress call. His quiet confidence is a stark contrast against Waters' vehemence. Sisko doesn't have to insist he's in command, because unlike Waters, it's very obvious that he truly is a captain.

Jake: While Nog is quickly accepted into this crew of elite cadets, particularly after he proves himself by solving the warp problem, Jake is very much an outsider. When he steps into the mess hall, conversations stop around him. His unease is mostly just a feeling, which could be put down to being the outsider of the group... Until Watters upbraids him for having a simple conversation with a young woman who misses her home. From this point on, Jake is convinced that something is very wrong on this ship. He attempts to convince others after Watters decides on his suicide mission, but he's like Cassandra - He can clearly see the disaster to come, but no one will listen to him.

Nog: Is uneasy when Watters admits that the orders he's following were meant for Capt. Ramirez. But Watters offers him everything he's always wanted: A purpose, a place to belong, a position of responsibility. Rank, without having to go through years of grunt work to get it. He's even made a member of Red Squad, the elite group of cadets he was so desperate to join back at the Academy. And he believes Watters' insistence that the Valiant can complete this mission and can make a real difference to the war. Which makes his disillusionment all the sharper when Watters fails so completely. Aron Eisenberg is superb throughout, keeping our sympathies with Nog even when he becomes a fanatical Red Squad devotee and turns on Jake.

Capt. Watters: I'll give Watters this much credit: After the ship's captain died, he held the crew together and kept Valiant in one piece on the wrong side of enemy lines. Sure, it was reckless of him to accept orders meant for Capt. Ramirez when he clearly should have headed for home (as Ramirez certainly intended him to do)... But he does manage to complete the mission; and if he'd stopped there, returning vital data to Starfleet, declaring him a "hero" would have been fully justified.

However, he's also young and inexperienced, and not up to the responsibility he's assumed. He takes stimulants to keep himself alert, which means he's constantly sleep-deprived. He is controlling to the point of confronting Jake over having a conversation with one of his crew members. Then he insists on attacking the Dominion warship - something Valiant has not been ordered to do, and which in fact jeopardizes the very information the ship was meant to collect and return to Starfleet! When Jake rightly points out that this plan is idiotic, Watters responds by chanting Red Squad propaganda as if he was back at the Academy, using the chant to block out any dissent or even thought. As Nog sums up: "He may have been a hero. He may even have been a great man. But in the end he was a bad captain."


THOUGHTS

I expected Valiant to be terrible. An episode about a starship under the command of a bunch of kids? It sounded like a nightmarish early TNG scenario.

But Michael Vejar's direction lends energy and urgency to what occurs on-screen. Writer Ronald D. Moore's script is carefully structured, with the cracks in the apparently tightly-run Valiant only gradually revealed over the first half of the episode. First comes Watters' admission that Starfleet's orders were actually meant for Ramirez, and that nobody back home realizes that this is a ship of cadets. Then Jake is reprimanded for having a conversation with a crew member. Finally, we see the captain's pill-popping... at which point, we recognize that this crew is on the verge of imploding.

Then Watters comes up with his plan: To charge in and exploit a single weakness that will miraculously cause the Dominion ship to blow up like a firework! It's basically the Death Star run. But it turns out that blowing up that one weak point doesn't actually make the entire enemy ship go "Boom!" Imagine Luke Skywalker going through that trench run and hitting the vent perfectly... Only to discover that all it accomplished was knocking out the Death Star's air conditioning.

To cut a long review short: Good writing and good directing transforms a premise that had every reason to be terrible into a surprisingly pretty good episode.


Overall Rating: 7/10.

Previous Episode: The Reckoning
Next Episode: Profit and Lace

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6-9. Statistical Probabilities.

Calculating the outcome of the Dominion War.

THE PLOT

Dr. Bashir has agreed to spend time with a very special group of psychiatric patients, four individuals whose minds were left disturbed after genetic engineering went wrong. The patients are: Jack (Tim Ransom), who is antisocial and violently hostile; Lauren (Hilary Shepard Turner), who attempts to seduce virtually any man she sees; Patrick (Michael Keenan), who possesses keen hearing and understanding of mechanical engineering but is emotionally like a small child; and Sarina (Faith C. Salie), who barely responds to the world around her.

Bashir's initial reaction is a mix of pity and horror. "There but for the grace of God go I," he tells his friends as they gather for dinner, waiting for an announced broadcast by the newly-christened Gul Damar (Casey Biggs). But when a peace proposal by Damar and Weyoun is also broadcast, the patients are able to see their manipulations just by observing them. They notice that Damar and Weyoun make a point of avoiding any mention of the Kabrel system, and tell Bashir that this system is what they want. Further research shows that control of the Kabrel system would allow the Dominion to manufacture ketracil white in the Alpha Quadrant, taking away one of Starfleet's few advantages.

This analysis proves valuable enough for Starfleet to furnish the group with more information. Bashir is delighted that his charges are finally being allowed to contribute in a valuable way. His delight soon turns to horror, however, as the group turns in their analysis of the Dominion War as a whole. Their projection? That a Starfleet victory is statistically impossible. The Federation is doomed, and there is only one option that will save hundreds of billions of lives on both sides:

Surrender...


CHARACTERS

Capt. Sisko: Refuses to accept that a mathematical formula can dictate the future. He insists that the calculations are based on "a series of assumptions," that couldn't possibly take into account every factor. He also adds: "Even if I knew with one hundred percent certainty what was going to happen, I wouldn't ask an entire generation of people to voluntarily give up their freedom... If we're going to lose, then we're going to go down fighting so that when our descendants rise up against the Dominion someday, they'll know what they're made of!"

Dr. Bashir: In A Time to Stand, Bashir expressed relief at no longer having to hide his abilities. His genetic engineering allows him to contribute in ways that would be impossible for most - So he understands the frustrations of these patients, who have been denied any chance to do anything meaningful with their lives. In normal circumstances, Bashir would understand without effort why Sisko and O'Brien can't accept his "surrender" recommendation - The Bashir who threw himself endlessly against the brick wall of a Dominion plague certainly would understand. But insulated with only fomulae, calculations, and a group of like-minded people he has bonded with a little too completely, he loses the pulse of the real world... At least, until he's abruptly wakened by drastic action from Jack.

O'Brien: It falls to O'Brien, the show's Everyman, to point out the obvious to Bashir. He and Sisko both fully comprehend the calculations. It's the conclusion that they can't accept, because you don't surrender just because a statistical analysis says that you should. When Bashir expresses confusion at this, unable to see how anyone could reasonably disagree with the recommendation, O'Brien snaps at him angrily: "I can see two possible explanations... Either I'm more feebleminded than you ever realized, or you're not as smart as you think you are!"

Weyoun/Damar: Bashir's group labels Damar "the pretender," a man playing king who isn't - and as Weyoun reminds him, he serves in this role only at the Dominion's pleasure. While Weyoun at least paid lip service to being an equal partner to Dukat, he makes no bones about treating Damar as an inferior. Part of that is likely a response to Dukat's failures in holding Deep Space 9, but part of that also has to do with the differences between the two men. Whatever else Dukat was guilty of, he was a born leader, charismatic and able to impose his will on others. Damar is more of a blunt instrument - a born "second-in-command," if you will - and Weyoun certainly recognizes his limitations. Besides, Damar doesn't even try to hide his disdain, so why should Weyoun do anything other than return the favor?


THOUGHTS

"We've grown too complacent about the Dominion. We may have driven them back into Cardassian space, but we haven't beaten them."

After a couple of episodes in which the Dominion threat was reduced to a background element, Statistical Probabilities reminds us that the war is still being waged, and that the outlook for the Federation remains bleak. Downright hopeless, if Bashir and the genetically engineered group's statistics can be believed.

Statistical Probabilities also provides some welcome follow-up to Doctor Bashir, I Presume. I was disappointed in that episode's pat, near conflict-free resolution to a complicated problem. This episode practically opens by having Jack call Bashir on it: "There are rules... And then, when you got caught, you cut a deal with Starfleet. You got yourself off the hook!"

As Bashir bonds so completely with these emotionally-damaged people who are nevertheless the only ones to truly understand what he's capable of, we also see that something is missing in his interactions with the other regulars. He always has to be less than he is to be "one of them." Being with others who can think as quickly as he can fills a need that has otherwise gone unfilled.  At the same time, the damage suffered by the members of this group shows what might have happened to Bashir, had his DNA resequencing been just a little less successful.

All of this works very well. For a good two-thirds of its running time, Statistical Probabilities was on track to be at least a "7" and probably an "8." But the last third stumbles. Bashir's internal conflict, having to accept continuing the fight when he knows the fight is mathematically hopeless, is interesting and involving. Seeing him torn between his old friends and his new friends, who share something with him the others could never understand, is also absorbing.

But all of that internal conflict is thrown aside for a manufactured third act crisis that never feels convincing. Bashir doesn't come to terms with the situation by himself; external factors force him to do so. My disappointment in that resolution costs the episode at least one full point, possibly two - Which still leaves it as a solid...


Overall Rating: 6/10.

Previous Episode: Resurrection
Next Episode: The Magnificent Ferengi


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6-6. Sacrifice of Angels.

Sisko engages in a desperate battle!

"Cannon to the right of them,
Cannon to the left of them,
Cannon in front of them,
Volley'd an thunder'd."

"Storm'd at with shot and shell,
Boldly they rode and well,
Into the Jaws of Death,
Into the mouth of Hell
Rode the six hundred."
-O'Brien and Bashir, reciting the last poem you want to hear when charging into battle.


THE PLOT:

Sisko's fleet, already short its full strength because of the need to rush the attack on Deep Space 9, has come face to face with a Dominion blockade that outnumbers them two-to-one. Sisko attempts to create a hole by sending fighters against the Cardassian forces, in hopes that they will become angry and chase their attackers. It's a strategy that plays right into Gul Dukat's hands. He sees his adversary's plan and obliges by creating the hole, with the intent to close it hard. Sisko recognizes Dukat's strategy in turn - but the clock is ticking, and this may be the only opportunity that presents itself, so he takes the bait anyway - Willfully sending his entire attack force into a trap that may well destroy them all!

On the station, Dukat and Weyoun begin planning for the sustained occupation that will follow their all-but-assured victory. Dukat orders the arrest all those he suspects of conspiring to sabotage his plans: Kira, Jake, and Leeta. But no one spares a thought for Quark, who seizes the opportunity for some surprisingly strong action of his own.

All of which may be for naught, as Sisko's forces are crushed, the Defiant only barely clearing the blockade. Rom and Kira race to stop the efforts to bring down the minefield, as the Defiant races to Deep Space 9. But as that ruthless clock keeps ticking, Sisko turns for help in an unanticipated direction...


CHARACTERS:

Capt. Sisko: The episode opens with him commanding a fleet, but only the Defiant is able to make it through the blockade. The episode opens with the Dominion still blocked by the minefield surrounding the wormhole - but that minefield is being steadily disabled. Left with nothing but one ship, Sisko makes his most desperate plea of all, one whose cost will be very steep - particularly seen in light of Sisko's words about Bajor in the last episode.

Odo: Odo finally gets back off the fence, thanks to Kira. Not because of anything she does here - but when the female changeling announces that Kira will be executed, just to cut off her influence with Odo, it completes what started at the end of Favor the Bold. Odo now recognizes that however much he may hunger for the Great Link, he cannot support his people's actions. He does not want to subjugate the Solids, and he will not allow Kira's death. He gathers together his security force - the Bajoran officers he convinced Weyoun to restore to him in A Time to Stand - and uses them to make sure Kira and Rom are able to break through the Jem'Hadar guarding the area of the station they hope to sabotage. When Kira asks why, he answers both for his original betrayal and for his coming to her rescue now: "The Link was Paradise. But it appears I'm not ready for Paradise."

Quark: With Kira and the others arrested, he is the only one left on the station who can take action. He enlists Ziyal's aid and stages a commando raid on the cells. Quark bursts in, a gun in either hand, looking like he just stepped out of a summer action movie - only in a script that recognizes the ridiculousness of the cliche. Some mild comedy follows, as Quark tells the Jem'Hadar guards to freeze, then unlock the cells, and then has to tell one of them to un-freeze so that the second order can actually be followed. Eventually, they charge - and Quark looks ready to have a heart attack after he pulls both triggers, and actually hits both targets!

Damar: In Seasons Four and Five, I largely dismissed Damar as a minor extension of Dukat. Starting with Call to Arms, and building in earnest since Behind the Lines, he has emerged as a strong character in his own right. He is loyal to Dukat, but more rigid than his mentor. He sees the world in black-and-white. Dukat gives a command, it must be obeyed - Hence, his attempt to forcibly drag Ziyal to him.  In the face of an obstacle, he falls back on force as a first resort... But he's not a dumb thug, or else he would not have figured out how to deactivate Rom's minefield to start with. When it's clear the Federation is about to retake the station and Dukat calls once again for his daughter, he instantly recognizes the truth: That Ziyal will not choose to leave. But his black-and-white view and propensity for violence leads to a shocking action, one that makes sure that Damar is not a character I will ever dismiss again.

Weyoun: Throughout this season, he's been presented as the person keeping Dukat in check. In A Time to Stand, Kira and Odo acknowledged his importance in restraining the Cardassians from mistreating Bajor or its people. He has been the voice of reason and diplomacy. But it's tactical rather than benevolent; when tactics call for ruthlessness, it's no surprise to see him advocating it. When talk shifts from winning the war to holding the territory, he eyes a star map with a clinical eye and calmly insists that Earth's population must be eradicated to break their enemies' will and spirit. This reverses what has been the standard relationship of the two men, with Dukat now trying to curb Weyoun's ruthlessness rather than the other way around.

Gul Dukat: "A true victory is to make your enemy see they were wrong to oppose you in the first place. To force them to acknowledge your greatness." So Dukat intones to Weyoun, giving both the Vorta and us a direct look into the way his mind works. In Dukat's mind, he is a hero - More than that, a savior. But it's not enough simply to win - Everyone else must see him as he so desperately wants to see himself, or else the victory is meaningless. In his mind's eye, he sees it all: The Alpha Quadrant at his feet as he enjoys the adulation of not only Cardassia, but of Bajor and Earth as well, all with his adoring daughter at his side. In the span of about ten minutes, he goes from touching with his fingertips the edges of that dream, to watching it be irrevocably destroyed before his eyes. What is left is broken, leaving Sisko no real sense of victory when he reclaims his prized baseball - Merely a sort of disgusted pity at this shell of a man, beaten less by his enemies than by the crushing weight of his own ego.


THOUGHTS:

Sacrifice of Angels does not finish the Dominion War arc. Starfleet is still in a hard situation, particularly with the heavy losses suffered in this episode at the hands of the Dominion blockade. The Dominion still hold Cardassia, and they still have enormous resources at their disposal. Starfleet has finally won a battle, and a big one - but the war is far from over.

This episode does finish the Occupation of Deep Space 9, however, and does so in spectacular fashion. The battle scenes are large-scale and chaotic. As Sisko throws his fleet at the blockade, exploding ships punctuate every frame - most of those ships, Starfleet's. I love the way the episode treats the strategies of Sisko and Dukat in this battle. Neither man outthinks the other. Dukat recognizes Sisko's strategy, and orders his men to take the bait in order to set a trap. Sisko recognizes Dukat's trap, but orders the fleet to take the bait because it may be their only opporunity. Since Dukat is not diminished, being shown as Sisko's equal in strategic terms, Sisko's ultimate victory feels much more deserved.

Marc Alaimo's performance as Dukat has been a consistent series highlight, ever since the character evolved from "recurring villain" to 3-dimensional character back in early Season Two. This episode lets him run the gamut, from absolute arrogance to absolute ruin. Alaimo is stunning throughout, and in a very real sense it is Dukat who holds this episode together. It's a testament to Alaimo's performance, every bit the equal of the richly complex character Dukat has become, that I find at least as much tragedy as satisfaction in the moment at which Dukat's relinquishes of Sisko's baseball to him, officially handing him back the station.

The entire episode is stunning. I'm sure some have taken issue with the way in which Sisko regains the station. But I found that to work as well, a way of tying what has largely been background mythology for the series into the foreground arc. And we are told that Sisko's victory will come at a price - Something I look forward to seeing delivered on.


Overall Rating: 10/10.

Previous Episode: Favor the Bold
Next Episode: You Are Cordially Invited

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6-5. Favor the Bold.

Sisko prepares to re-take Deep Space Nine!

THE PLOT:

The war is not going well for Starfleet, which keeps pulling back and retreating in the face of the Dominion forces. Dax complains that even the Klingons are starting to wonder if this war is winnable. A big victory is needed to restore morale. Sisko has just the target in mind: A bold strike that will retake Deep Space 9!

Back on the station, Quark and Kira try desperately to save Rom after his arrest for attempted sabotage. Orders left by the female changeling (Salome Jens) make it impossible for them to see Odo, and Weyoun insists that Rom must be executed, as much for making the self-replicating minefield possible in the first place as for attempting to halt efforts to bring it down. Kira prevails on Gul Dukat's daughter, Ziyal (Melanie Smith), to beg her father for a pardon - but Dukat flatly refuses, insisting that enemies of the state must be punished.  Barring a miracle, Rom's fate appears sealed.

Bad news becomes worse when a test of Damar (Casey Biggs)'s plan to deactivate the mines proves successful, and work to bring down the minefield begins in earnest. If all goes according to the Dominion's plan, the wormhole will be clear within a week - And the full force of the Dominion will be ready to come through!


CHARACTERS

Capt. Sisko: "When I go home, it will be to Bajor." The Sisko who was so reluctant to take the assignment to Deep Space 9 and who hated having the role of "Emissary" thrust upon him has transformed remarkably over the last five years. He now pores over Bajoran prophecies, hoping for some guidance, and muses about taking a couple weeks in a Bajoran monastery after the war is over. He directly states that Bajor is his home, extolling its virtues with poetic descriptiveness: "There are parts of the Eastern Province that are like Eden itself: Lush green valleys covered in wild flowers that seem to spring up overnight; hundreds of small, crystal clear ponds interconnected by waterfalls."

Major Kira: She is furious at Odo for his betrayal. Every time Quark pins his hopes for saving his brother on reaching Odo, she shoots him down: They can't reach Odo because of orders left by the female changeling; and even if they could, she insists it would make no difference. That same anger drives her through the rest of the episode. She is impatient when Ziyal insists that, now that she recognizes Dukat for what he is, she will never go back to him; and when Damar pushes her one time too many, she lets loose all the violence she's been holding back for months now, leaving the Cardassian battered and bruised, and saying that it will be up to him what happens next.

Quark: For all his years of mocking and mistreatment toward his brother, Quark is determined to save Rom from his death sentence. That his faith in Odo remains strong even when Kira's has been shattered speaks volumes about the genuine regard he has for his sometime nemesis, making this a key Quark/Odo episode even though the two don't share a second of screen time. Quark is too shrewd to let his concern be public knowledge, however, and he continues to play the mercenary Ferengi for Damar, using prodigious amounts of kanar as lubrication to keep the flow of information coming.

Odo: Has sex with the female changeling to demonstrate the solids' notion of intimacy. She reacts with amusement at how limited it is, and is surprised that Odo doesn't agree. When she gets a bit over-vehement in pronouncing that the solids must be broken of their attachment to their freedom, Odo recovers enough of himself to see her for what she is - Though his awakening comes too late for Kira to even listen to his attempted apology.

Weyoun: In an effective quiet moment, we see Weyoun musing over one of Ziyal's paintings. He looks at it from every angle, as if willing himself to see it. When Kira walks in, he reveals that the Founders kept all sense of the aesthetic out of the Vorta's genetic makeup, likely finding it irrelevant. He reacts hotly to Kira's suggestion that the Founders "made a mistake," but wistfully acknowledges that he sometimes wishes he could carry a tune.

Gul Dukat: Though he adores his daughter, a virtue even Kira will acknowledge, there is something dangerous in the way he demands to know if she had anything to do with Rom's attempted sabotage. When she asks for mercy for the Ferengi, he instantly suspects some culpability on her part and does not believe her when she (truthfully) pleads innocence. He does, at least, trust Kira to protect Ziyal's welfare. When Damar comes back from his attempt to retrieve the girl having sustained a beating by the major, Dukat knows that his man must have stepped out of line in some way.


THOUGHTS:

Favor the Bold opens with action, as an apparently cripped Defiant braces itself for a Jem'Hadar attack, only to pull a bait-and-switch on the Jem'Hadar and trap them with practiced efficiency. It's a teaser that grabs the viewer right away - desperate action, followed by a subversion of expectations. The entire episode takes a cue from that, building momentum throughout.

As with Behind the Lines, there are two main plot strands: Sisko, preparing an assault on Deep Space 9; and Kira and Quark, desperate both to save Rom and to stop the deactivation of the minefield. The Kira/Quark thread is the stronger: Kira's situation, having to work with the enemy while also trying to undermine them, is just inherently more dramatic, and her constant anger in this episode adds a wonderful additional level. But the Sisko material is also quite good, as we see just how thoroughly he has thought through his proposed attack, bringing all of his determination to bear to secure the agreement of Starfleet and its sole remaining ally.

Writer Ira Steven Behr and Hans Beimler even manage to adroitly connect the two strands. Learning that the minefield's deactivation is imminent, Kira and Quark manage to smuggle a message to Sisko (in one of the more plot-relevant and amusing uses of Morn). This pushes Sisko to initiate the attack before all of his forces are gathered. The episode ends with Sisko leading an incomplete fleet into battle against a vastly superior force, all because time has left no other option.

"To all ships, this is Captain Sisko. There's an old saying: 'Fortune favors the bold.' Well, I guess we're about to find out."


Overall Rating: 9/10.

Previous Episode: Behind the Lines
Next Episode: Sacrifice of Angels

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6-1. A Time to Stand.

Kira and Odo work together to survive a new Occupation.

THE PLOT

It's been two months since the Dominion War finally erupted, and the fight is going badly. The Seventh fleet has been all but wiped out, with only 14 ships surviving out of 112. Federation forces are in near constant retreat. As Gul Dukat smugly observes: "It is a good time for Cardassia - and the Dominion."

Deep Space 9 again carries its Cardassian name, "Terok Nor," and is again under Dukat's command. But with Weyoun and the Dominion overseeing him, this Occupation is much different than the Cardassian Occupation of old. As Quark observes, there are no slaves collapsing in exhaustion, no fences dividing the Promenade, no children starving in the corridors. The Dominion seems determined to prove they will keep their promises to Bajor, so that other Alpha Quadrant governments that signed non-aggression treaties will consider themselves to be safe as well and continue to stay out of the fight.

At Starbase 375, Sisko and his command crew are given a new assignment: To destroy the Dominion's storage depot of ketracel white, the drug they use to control and sustain the Jem'Hadar. With a location deep inside Cardassian/Dominion space, the Defiant will not be well-suited to the mission. Instead, Sisko will be given another ship - the Jem'Hadar vessel he recovered last year, fully functional and ready to infiltrate Dominion space!


CHARACTERS

Capt. Sisko: Has to be pushed by Dax to call his father from the Starbase, not knowing how to tell him that he left Jake in enemy territory. When he does finally talk to him, he promises that he will bring Jake back - but acknowledges that actually doing so might take a while. When Admiral Ross (Barry Jenner) reveals Sisko's mission and shows him the Jem'Hadar ship, Sisko seems eager to get some use out of the ship he fought so hard to recover.

Kira: Looks worn and distraught throughout the episode, doubtless reliving in her mind the last time the station was known as "Terok Nor" and was ruled by Gul Dukat. She advocates hard for the Bajoran security force, and the reactions of Weyoun and Dukat show some of the tension between them. She wisely does not trust Weyoun, but acknowledges that he has kept his word to Bajor (at least, so far) and has curbed Dukat's potential bad behavior toward the Bajoran population. She is glad of Odo's presence, finding her moments with him the only ones in which she can relax at all.

Dr. Bashir: "Ever since it's become public knowledge that you're genetically engineered, you've used every opportunity to show off!" Bashir feels that he has no reason anymore to hide his abilities, and seems very pleased (if a bit smug) about doing complex calculations in seconds. It's good that he has that freedom, because he otherwise looks completely beaten down by the situation. The Defiant's sickbay has been overstuffed with wounded, to the point that he is snappish with Garak when his Cardassian friend gripes about having to wait to be treated. Garak does seem mildly resentful about Bashir's abilities, making a noticeable number of waspish comments about them, but Bashir is still very happy to welcome his untrustworthy friend when he joins them for the mission.

Gul Dukat: Has just enough self-awareness to acknowledge to Kira that yes, he did sell his own people to the Dominion. But he insists that, while a high price, it was necessary - That Cardassia had been left so weakened by the war with the Klingons that it was becoming a "third rate power." He has himself almost fooled into thinking that he's truly in charge again. He amuses himself playing with the baseball Sisko left him as a message, and even feels bold enough to resume his long-dormant pursuit of Kira. But he bristles every time Weyoun reminds him who the real power is, and I doubt it will be very long before Kira (or Odo; or both) begin to exploit that rift.

Weyoun: For his own part, he regards Dukat with increasingly thinly-veiled disdain. He is invested in proving that the Dominion can be a friend to Bajor, and he wants to see the station return to something approximating normal. When Kira raises the question of a Bajoran security force, Weyoun obviously wants to grant the request, and is annoyed when Dukat makes that impossible. He is genuine in revering the Founders as gods, and is concerned that Odo think well of him. When Odo finally comes to him to directly ask for a Bajoran security force, Weyoun wins in three big ways: He wins Odo's acknowledgement; he is able to grant the Bajoran request that he had wanted to grant in the first place; and in return for an action he had already wished to take, he is able to push Odo into joining the station's ruling body.


THOUGHTS

Call to Arms changed the show's status quo in a massive way, splitting up the characters and giving the Dominion and Gul Dukat control of the station. That's a seismic shift, and the bulk of A Time to Stand is focused on getting the viewer adjusted to this very different situation.

The difference is shoved into our faces right after the teaser. We come back from the credits to that Trek standby, the captain's log. Only now it is the "permanent documentation file," narrated to us by Dukat. The episode then takes quite a bit of time to show where Dukat, Kira, Weyoun, Odo, and Quark all fit in this new structure: Kira representing Bajor, Weyoun "advising" Dukat but clearly the one truly in control, Odo mainly trying to avoid Weyoun, and Quark just relieved that the Dominion is allowing business as usual.

There is the sense that pieces are being carefully planted for future use. This is particularly true of the scene with Jake, who has been left free and unharmed as he goes about trying to report on the Dominion Occupation. For which Weyoun chides him: "This is not an occupation. This is a Cardassian station, Jake, and I'm sure you're aware that there are no Dominion troops on Bajor. And why should there be? We have a treaty with them. They're our friends." Weyoun goes on to tell Jake that he has made sure that none of Jake's reports have left the station, and that he won't allow them through until they are "biased against the Dominion." He dangles hope of allowing Jake's writing through, if only the young man can keep an open mind.

The quick standalone plot, with teh assault on ketracil white, doesn't even start until well past the halfway mark, and I doubt even a full 15 minutes is devoted to it. But that doesn't mean the assault comes across as an afterthought. It's made very clear at the start that the Federation is losing this war, and that this strike may represent a chance to turn the tables by starving the Jem'Hadar of their needed drug. That makes it a priority to succeed at any cost... Even when that means Sisko has to open fire on a Federation ship. The attack isn't even really an assault - It's a subterfuge, involving beaming down a bomb and then getting away before it goes off. Not the kind of thing we're used to seeing from our heroes; more the sort of thing Garak used to do for a living.

It all ends with every character facing a new dilemma to carry them (and us) into the next installment. Even as the episode has worked to establish the new status quo, it has also shifted it just enough that we can see things moving forward. Leaving me looking very forward to seeing what happens next...


Overall Rating: 8/10.

Previous Episode: Call to Arms
Next Episode: Rocks and Shoals

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