6-6. Sacrifice of Angels.

Sisko engages in a desperate battle!

"Cannon to the right of them,
Cannon to the left of them,
Cannon in front of them,
Volley'd an thunder'd."

"Storm'd at with shot and shell,
Boldly they rode and well,
Into the Jaws of Death,
Into the mouth of Hell
Rode the six hundred."
-O'Brien and Bashir, reciting the last poem you want to hear when charging into battle.


THE PLOT:

Sisko's fleet, already short its full strength because of the need to rush the attack on Deep Space 9, has come face to face with a Dominion blockade that outnumbers them two-to-one. Sisko attempts to create a hole by sending fighters against the Cardassian forces, in hopes that they will become angry and chase their attackers. It's a strategy that plays right into Gul Dukat's hands. He sees his adversary's plan and obliges by creating the hole, with the intent to close it hard. Sisko recognizes Dukat's strategy in turn - but the clock is ticking, and this may be the only opportunity that presents itself, so he takes the bait anyway - Willfully sending his entire attack force into a trap that may well destroy them all!

On the station, Dukat and Weyoun begin planning for the sustained occupation that will follow their all-but-assured victory. Dukat orders the arrest all those he suspects of conspiring to sabotage his plans: Kira, Jake, and Leeta. But no one spares a thought for Quark, who seizes the opportunity for some surprisingly strong action of his own.

All of which may be for naught, as Sisko's forces are crushed, the Defiant only barely clearing the blockade. Rom and Kira race to stop the efforts to bring down the minefield, as the Defiant races to Deep Space 9. But as that ruthless clock keeps ticking, Sisko turns for help in an unanticipated direction...


CHARACTERS:

Capt. Sisko: The episode opens with him commanding a fleet, but only the Defiant is able to make it through the blockade. The episode opens with the Dominion still blocked by the minefield surrounding the wormhole - but that minefield is being steadily disabled. Left with nothing but one ship, Sisko makes his most desperate plea of all, one whose cost will be very steep - particularly seen in light of Sisko's words about Bajor in the last episode.

Odo: Odo finally gets back off the fence, thanks to Kira. Not because of anything she does here - but when the female changeling announces that Kira will be executed, just to cut off her influence with Odo, it completes what started at the end of Favor the Bold. Odo now recognizes that however much he may hunger for the Great Link, he cannot support his people's actions. He does not want to subjugate the Solids, and he will not allow Kira's death. He gathers together his security force - the Bajoran officers he convinced Weyoun to restore to him in A Time to Stand - and uses them to make sure Kira and Rom are able to break through the Jem'Hadar guarding the area of the station they hope to sabotage. When Kira asks why, he answers both for his original betrayal and for his coming to her rescue now: "The Link was Paradise. But it appears I'm not ready for Paradise."

Quark: With Kira and the others arrested, he is the only one left on the station who can take action. He enlists Ziyal's aid and stages a commando raid on the cells. Quark bursts in, a gun in either hand, looking like he just stepped out of a summer action movie - only in a script that recognizes the ridiculousness of the cliche. Some mild comedy follows, as Quark tells the Jem'Hadar guards to freeze, then unlock the cells, and then has to tell one of them to un-freeze so that the second order can actually be followed. Eventually, they charge - and Quark looks ready to have a heart attack after he pulls both triggers, and actually hits both targets!

Damar: In Seasons Four and Five, I largely dismissed Damar as a minor extension of Dukat. Starting with Call to Arms, and building in earnest since Behind the Lines, he has emerged as a strong character in his own right. He is loyal to Dukat, but more rigid than his mentor. He sees the world in black-and-white. Dukat gives a command, it must be obeyed - Hence, his attempt to forcibly drag Ziyal to him.  In the face of an obstacle, he falls back on force as a first resort... But he's not a dumb thug, or else he would not have figured out how to deactivate Rom's minefield to start with. When it's clear the Federation is about to retake the station and Dukat calls once again for his daughter, he instantly recognizes the truth: That Ziyal will not choose to leave. But his black-and-white view and propensity for violence leads to a shocking action, one that makes sure that Damar is not a character I will ever dismiss again.

Weyoun: Throughout this season, he's been presented as the person keeping Dukat in check. In A Time to Stand, Kira and Odo acknowledged his importance in restraining the Cardassians from mistreating Bajor or its people. He has been the voice of reason and diplomacy. But it's tactical rather than benevolent; when tactics call for ruthlessness, it's no surprise to see him advocating it. When talk shifts from winning the war to holding the territory, he eyes a star map with a clinical eye and calmly insists that Earth's population must be eradicated to break their enemies' will and spirit. This reverses what has been the standard relationship of the two men, with Dukat now trying to curb Weyoun's ruthlessness rather than the other way around.

Gul Dukat: "A true victory is to make your enemy see they were wrong to oppose you in the first place. To force them to acknowledge your greatness." So Dukat intones to Weyoun, giving both the Vorta and us a direct look into the way his mind works. In Dukat's mind, he is a hero - More than that, a savior. But it's not enough simply to win - Everyone else must see him as he so desperately wants to see himself, or else the victory is meaningless. In his mind's eye, he sees it all: The Alpha Quadrant at his feet as he enjoys the adulation of not only Cardassia, but of Bajor and Earth as well, all with his adoring daughter at his side. In the span of about ten minutes, he goes from touching with his fingertips the edges of that dream, to watching it be irrevocably destroyed before his eyes. What is left is broken, leaving Sisko no real sense of victory when he reclaims his prized baseball - Merely a sort of disgusted pity at this shell of a man, beaten less by his enemies than by the crushing weight of his own ego.


THOUGHTS:

Sacrifice of Angels does not finish the Dominion War arc. Starfleet is still in a hard situation, particularly with the heavy losses suffered in this episode at the hands of the Dominion blockade. The Dominion still hold Cardassia, and they still have enormous resources at their disposal. Starfleet has finally won a battle, and a big one - but the war is far from over.

This episode does finish the Occupation of Deep Space 9, however, and does so in spectacular fashion. The battle scenes are large-scale and chaotic. As Sisko throws his fleet at the blockade, exploding ships punctuate every frame - most of those ships, Starfleet's. I love the way the episode treats the strategies of Sisko and Dukat in this battle. Neither man outthinks the other. Dukat recognizes Sisko's strategy, and orders his men to take the bait in order to set a trap. Sisko recognizes Dukat's trap, but orders the fleet to take the bait because it may be their only opporunity. Since Dukat is not diminished, being shown as Sisko's equal in strategic terms, Sisko's ultimate victory feels much more deserved.

Marc Alaimo's performance as Dukat has been a consistent series highlight, ever since the character evolved from "recurring villain" to 3-dimensional character back in early Season Two. This episode lets him run the gamut, from absolute arrogance to absolute ruin. Alaimo is stunning throughout, and in a very real sense it is Dukat who holds this episode together. It's a testament to Alaimo's performance, every bit the equal of the richly complex character Dukat has become, that I find at least as much tragedy as satisfaction in the moment at which Dukat's relinquishes of Sisko's baseball to him, officially handing him back the station.

The entire episode is stunning. I'm sure some have taken issue with the way in which Sisko regains the station. But I found that to work as well, a way of tying what has largely been background mythology for the series into the foreground arc. And we are told that Sisko's victory will come at a price - Something I look forward to seeing delivered on.


Overall Rating: 10/10.

Previous Episode: Favor the Bold
Next Episode: You Are Cordially Invited

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6-5. Favor the Bold.

Sisko prepares to re-take Deep Space Nine!

THE PLOT:

The war is not going well for Starfleet, which keeps pulling back and retreating in the face of the Dominion forces. Dax complains that even the Klingons are starting to wonder if this war is winnable. A big victory is needed to restore morale. Sisko has just the target in mind: A bold strike that will retake Deep Space 9!

Back on the station, Quark and Kira try desperately to save Rom after his arrest for attempted sabotage. Orders left by the female changeling (Salome Jens) make it impossible for them to see Odo, and Weyoun insists that Rom must be executed, as much for making the self-replicating minefield possible in the first place as for attempting to halt efforts to bring it down. Kira prevails on Gul Dukat's daughter, Ziyal (Melanie Smith), to beg her father for a pardon - but Dukat flatly refuses, insisting that enemies of the state must be punished.  Barring a miracle, Rom's fate appears sealed.

Bad news becomes worse when a test of Damar (Casey Biggs)'s plan to deactivate the mines proves successful, and work to bring down the minefield begins in earnest. If all goes according to the Dominion's plan, the wormhole will be clear within a week - And the full force of the Dominion will be ready to come through!


CHARACTERS

Capt. Sisko: "When I go home, it will be to Bajor." The Sisko who was so reluctant to take the assignment to Deep Space 9 and who hated having the role of "Emissary" thrust upon him has transformed remarkably over the last five years. He now pores over Bajoran prophecies, hoping for some guidance, and muses about taking a couple weeks in a Bajoran monastery after the war is over. He directly states that Bajor is his home, extolling its virtues with poetic descriptiveness: "There are parts of the Eastern Province that are like Eden itself: Lush green valleys covered in wild flowers that seem to spring up overnight; hundreds of small, crystal clear ponds interconnected by waterfalls."

Major Kira: She is furious at Odo for his betrayal. Every time Quark pins his hopes for saving his brother on reaching Odo, she shoots him down: They can't reach Odo because of orders left by the female changeling; and even if they could, she insists it would make no difference. That same anger drives her through the rest of the episode. She is impatient when Ziyal insists that, now that she recognizes Dukat for what he is, she will never go back to him; and when Damar pushes her one time too many, she lets loose all the violence she's been holding back for months now, leaving the Cardassian battered and bruised, and saying that it will be up to him what happens next.

Quark: For all his years of mocking and mistreatment toward his brother, Quark is determined to save Rom from his death sentence. That his faith in Odo remains strong even when Kira's has been shattered speaks volumes about the genuine regard he has for his sometime nemesis, making this a key Quark/Odo episode even though the two don't share a second of screen time. Quark is too shrewd to let his concern be public knowledge, however, and he continues to play the mercenary Ferengi for Damar, using prodigious amounts of kanar as lubrication to keep the flow of information coming.

Odo: Has sex with the female changeling to demonstrate the solids' notion of intimacy. She reacts with amusement at how limited it is, and is surprised that Odo doesn't agree. When she gets a bit over-vehement in pronouncing that the solids must be broken of their attachment to their freedom, Odo recovers enough of himself to see her for what she is - Though his awakening comes too late for Kira to even listen to his attempted apology.

Weyoun: In an effective quiet moment, we see Weyoun musing over one of Ziyal's paintings. He looks at it from every angle, as if willing himself to see it. When Kira walks in, he reveals that the Founders kept all sense of the aesthetic out of the Vorta's genetic makeup, likely finding it irrelevant. He reacts hotly to Kira's suggestion that the Founders "made a mistake," but wistfully acknowledges that he sometimes wishes he could carry a tune.

Gul Dukat: Though he adores his daughter, a virtue even Kira will acknowledge, there is something dangerous in the way he demands to know if she had anything to do with Rom's attempted sabotage. When she asks for mercy for the Ferengi, he instantly suspects some culpability on her part and does not believe her when she (truthfully) pleads innocence. He does, at least, trust Kira to protect Ziyal's welfare. When Damar comes back from his attempt to retrieve the girl having sustained a beating by the major, Dukat knows that his man must have stepped out of line in some way.


THOUGHTS:

Favor the Bold opens with action, as an apparently cripped Defiant braces itself for a Jem'Hadar attack, only to pull a bait-and-switch on the Jem'Hadar and trap them with practiced efficiency. It's a teaser that grabs the viewer right away - desperate action, followed by a subversion of expectations. The entire episode takes a cue from that, building momentum throughout.

As with Behind the Lines, there are two main plot strands: Sisko, preparing an assault on Deep Space 9; and Kira and Quark, desperate both to save Rom and to stop the deactivation of the minefield. The Kira/Quark thread is the stronger: Kira's situation, having to work with the enemy while also trying to undermine them, is just inherently more dramatic, and her constant anger in this episode adds a wonderful additional level. But the Sisko material is also quite good, as we see just how thoroughly he has thought through his proposed attack, bringing all of his determination to bear to secure the agreement of Starfleet and its sole remaining ally.

Writer Ira Steven Behr and Hans Beimler even manage to adroitly connect the two strands. Learning that the minefield's deactivation is imminent, Kira and Quark manage to smuggle a message to Sisko (in one of the more plot-relevant and amusing uses of Morn). This pushes Sisko to initiate the attack before all of his forces are gathered. The episode ends with Sisko leading an incomplete fleet into battle against a vastly superior force, all because time has left no other option.

"To all ships, this is Captain Sisko. There's an old saying: 'Fortune favors the bold.' Well, I guess we're about to find out."


Overall Rating: 9/10.

Previous Episode: Behind the Lines
Next Episode: Sacrifice of Angels

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6-3. Sons and Daughters.

Worf gets a surprise reunion with his estranged son.

THE PLOT:

The IKS Rotarran, captained by Martok (J. G. Hertzler) with Worf as first officer, rescues Sisko and his crew from Dominion territory and returns them to Starbase 375. At the same time, the Klingon ship takes on replacement crew members - one of whom is Alexander (Marc Worden), Worf's son. Worf is shocked to see the young man, who had previously rejected the life of a Klingon warrior, enlisting to serve the Empire. He is also displeased to see how poorly-suited Alexander is to a warrior life, unable to even hold his own in a simple brawl. The young man is finding his place; unfortunately, that place, as Worf observes, is "as the ship's fool."

Meanwhile, Kira finds herself dealing with a dilemma of her own. Ziyal (Melanie Smith), Gul Dukat's half-Cardassian, half-Bajoran daughter, has returned to the station to try to have a relationship with her father. Dukat is thrilled to have her back in his life - but that doesn't mean he's above using her to manipulate Kira, who is the closest thing she has had to a mother. With Ziyal genuinely wanting relationships with both of them, Kira finds herself pulled back into the personal orbit of the man she most despises...


CHARACTERS:

Capt. Sisko: Only briefly glimpsed, but it is clear that he and Martok share a strong mutual respect - one warrior to another. I look forward to seeing which of them wins Sisko's bet regarding who will first set foot on Deep Space 9.

Worf: Claims that he accepted Alexander's choice not to become a warrior, and has probably convinced himself that this is true. But we learn in this episode that, shortly after the events of TNG's Firstborn, Worf sent the boy back to his human parents.  He has basically not even seen him in the intervening years - a tidy explanation for why Alexander has barely been mentioned during Worf's DS9 tenure. He has difficulty standing back and allowing his son to fail, or even to take a beating, which actually makes things harder for Alexander in fitting in with the crew. In the end, he is able to make a reconciliation with his son, but to the episode's credit it feels like a fragile one.

Martok: The last episode to focus on Martok as ship's captain was Soldiers of the Empire, in which his time as a prisoner of the Dominion left him a shadow of his former self. He only regained his strength when challenged from within. This episode marks a direct contrast, with the Klingon back at his zenith. He is a strong captain, a man who sees and recognizes the dynamics of his crew. He tries at first to get Worf to accept the situation, pointing out that Alexander is finding his own place. When it becomes clear that Worf's effectiveness as first officer is compromised, though, Martok acts decisively, telling the boy that he will be transferred off the ship. "I need (Worf)," he says flatly, "I do not need you."

Major Kira: Though the Klingon material is entertaining enough, the "B" plot is far more engrossing. Nana Visitor's splendid performance is part of the reason why, as Kira finds herself torn between her genuine caring for Ziyal and her loathing for Dukat. It's a problem made worse by how easy it is for her to be briefly comfortable around Dukat, who is very calculated in showing his most charming face when they are in front of Ziyal. There's a particularly fine moment when he sends her a dress. For just a second, Kira is overjoyed at the lovely garment and how beautiful she will look in it. Then her face sinks as she realizes that she is allowing herself to be claimed - bought, and not even at any great cost. Almost as good is the follow-up, as she confronts Dukat. She accurately labels him as "opportunistic" and "power-hungry." In the first two seasons, she would have been spitting the words at him. Here, she just states them as fact, with no rancor or even emotion - Which is likely why he doesn't try any counter-move; games are no fun when the other person has lost interest in playing.

Gul Dukat: I believe his pride in Ziyal is genuine. The one genuinely selfless moment we've ever seen from Dukat was when he sacrificed his position to save her (though admittedly, only after intending to kill her). He wants her to do well, and he wants a positive relationship. But he wants that on his own terms, terms that include being seen by her as some sort of heroic white knight. Being Dukat, it's easier and truer to himself to manipulate reality rather than actually live up to such an image. A telling moment comes right after Kira returns the dress, denounces him, and leaves. Ziyal enters a moment later, asking who was there. Dukat's smile never wavers as he announces that it was "a delivery... Do you like it?" His pleasure is in no way diminished by her adoration of both gift and him being based on a lie.


THOUGHTS:

Sons and Daughters is the weakest Dominion War episode thus far... Which, given how good much of it is, speaks more to the quality of this run of episodes than to any great weakness in this particular script. The Kira/Dukat material is wonderful, with both Nana Visitor and Marc Alaimo in fine form. The Klingon material isn't as strong, but neither is it bad. The episode rolls along at a solid pace, with plenty of good scenes and no particularly bad scenes. It's a solid piece of Trek, that really suffers only in comparison to the four episodes preceding it.

Readers of my TNG reviews are doubtless aware of how little I enjoyed the character of Alexander on that show. His return to the franchise is not a welcome one. Marc Worden is easier to take as an (arguably too much) older Alexander than Brian Bonsall was, but the character remains irritatingly whiny and unsympathetic. He brings out the worst traits of Worf's character, showcasing how inflexible and self-defeatingly stubborn he can be in his dealings with his son. This leaves Martok as the only truly likable character in the Klingon plot, though J. G. Hertzler is thankfully up to the task, stealing every scene in which he's present.

The script cleverly bookends the Klingon drama with a minor drama of Worf's. Dax tells him that she intends to refuse to join Martok's House - something Worf fears would be a grave dishonor. She lets him rant for a moment before revealing that she's just teasing him and fully intends to join the Klingon House. Alexander, Worf's son, has no House and insists on being referred to as "Rozhenko." By episode's end, when Worf has reached a reconciliation with him, Alexander joins Martok's House as Worf had done previously.

A problem with the Klingon plot is that it doesn't really reach much of a climax. There's a minor space battle, but however urgently the actors may speak, it doesn't feel particularly significant. The convoy escort doesn't so much close in triumph as simply run out after a single, fairly uninspired action scene. This, coupled with the "A" plot being far less interesting than the "B" plot, keep the episode feeling a bit small, as if things are being padded out before the next important episode.

In short: Entertaining and probably about as good as an Alexander episode can be. But a fair step below the excellent shows that preceded it.


Overall Rating: 6/10.

Previous Episode: Rocks and Shoals
Next Episode: Behind the Lines

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5-14. In Purgatory's Shadow.

Garak and Worf, prisoners of the Dominion!

THE PLOT

When an encoded Cardassian transmission is picked up in the Gamma Quadrant, Sisko orders Garak to decode it. Garak tells him it's innocuous, just a years-old planetary survey. But when he states that he's given up on the idea of survivors from the Cardassian attack on the Dominion, Dr. Bashir knows that he's lying. Bashir pushes Garak to reveal the truth: The transmission is a message from his old mentor, Enabran Tain (Paul Dooley), consisting of just one word repeated over and over: "Alive."

Garak insists on going after Tain, and points out to Sisko that if Tain is alive then there may be other survivors as well. He is sent with Worf in a runabout to trace the signal back... but they don't get far before they are intercepted by a Dominion fleet. Worf is able to get out a warning that Dominion forces are building up near the wormhole, but that is all he is able to accomplish before he and Garak are captured.

They are taken to a prison camp on an asteroid. The only atmosphere is provided by a dome, making escape an apparent impossibility. Meanwhile, at the station, Worf's message is received, leaving Sisko with only one option to stop a Dominion invasion: Collapse the wormhole!


CHARACTERS

Capt. Sisko: Though he doesn't trust that Tain's message is real, he can't ignore the possibility of survivors. He sends Worf with Garak, knowing that the rigid Worf is unlikely to be swayed by the Cardassian's manipulations. When Worf's message gets through, Sisko gives him and Garak as much time as possible before collapsing the wormhole. Ultimately, however, he knows that cutting them off is an acceptable tradeoff to stopping a Dominion attack, and orders it done when the moment comes.

Worf: I love this show's willingness to combine different characters to create new dynamics. We've usually seen Garak paired with Bashir (and do for a bit of this episode), but we've also seen him teamed up with Odo to very different but equally enjoyable effect. Now Worf is assigned to accompany the Cardassian, and we get something different again. Worf's too inflexible to spar with Garak the way Bashir or Odo did. Instead, he calls out Garak's lies as soon as he recognizes them. His inflexible mind-set doesn't stop him from being manipulated, though. When he is about to turn back, as Sisko ordered, Garak prevails on his honor to get him to continue. Worf snaps that Garak doesn't understand the meaning of the word... but as Garak points out, that isn't the point. Worf does, and that's all that's needed for Garak to get the Klingon to do as he wants.

Dr. Bashir: Instantly recognizes Garak's claim of an inconsequential message as a lie. He waits in a runabout for the Cardassian to attempt to steal it, then takes him to Sisko to reveal the full truth. When Garak compliments him on how untrusting he's become over the past five years, Bashir says only that he had a good teacher. Much later in the episode, when Garak is stung by Tain rejecting him yet again, Bashir does provide some comfort. Garak snaps about how the best lesson he can teach Bashir is that sentiment is a weakness... Prompting the doctor to reply that this is one lesson he hopes never to learn.

Garak: Though there are big moments for several characters, this episode belongs to him and is all the better for it. Garak remains an unpredictable delight. He pushes Worf into considering sponsoring his application to Starfleet, only to reveal that he did so only to keep his lying skills sharp. He greets both Gul Dukat and his captors with a disarming grin, and doesn't seem too bothered when both encounters result in hands around his throat. For all of his rampant deception, and for all the wrongs Tain has done to him over the years, he retains a strong loyalty to his mentor. His final scene with Tain seems to reveal more about both men's backgrounds... though honestly, given Garak's nature, I don't trust that the information we seem to learn is truly genuine.

Gul Dukat: Enters the episode in a fury - literally, as he throttles Garak for his association with his daughter. This sets the tone for Dukat's entire role. When Kira confirms that she knew about Ziyal (Melanie Smith)'s association with Garak, he accuses her of willful betrayal. Gone is the smiling flirtation of the past two seasons - Dukat makes it clear in one scene that he now fully regards Kira as an enemy, and he intends to get his revenge. His last scene sees him denouncing his daughter for refusing to leave the station on his orders, lumping her in with all his other self-created enemies. For all of this, you can see that in his mind, he is the injured party in every case. Much like the man who claimed to want to protect the Bajorans as his "children," he has made himself into a victim. It will be very interesting to see where he goes from here.


THOUGHTS

Gul Dukat, Garak, and Enebran Tain all in the same episode, along with a massive Dominion build-up and a few big surprises... If I didn't know this was still the mid-season, I would think this was the first part of a season cliffhanger! It's certainly momentous enough. If the next episode sustains the momentum, this will likely rank alongside The Jem'Hadar, The Die Is Cast, and The Way of the Warrior for episodes that cause a seismic shift in the series.

I'll wait until my next review to discuss the episode's biggest revelation - I want to mull it over a while before seriously discussing it in any event. Besides, while I can't imagine many people are reading these reviews without having first seen the episodes, I want to allow at least one review's space before spoiling one of the best surprises the series has yet sprung.

Writers Robert Hewitt Wolfe and Ira Steven Behr provide the big moments and the sense of a series turning point, but they don't forget to make room for plenty of good character material. In addition to moments I've mentioned in the "Characters" section, we also see Odo adjusting to being a shapeshifter again, and finding that there are many aspects to being a solid that he's going to miss. The Kira/Dukat scenes are charged with energy, with Kira all but laughing at Dukat's attempts to intimidate her (something that I suspect she's taking far too lightly). worf and Dax get a scene together that shows the spark, humor, and chemistry that was so sorely lacking in Let He Who Is Without Sin...

All in all, an excellent first part that leaves me eagerly awaiting Part Two.


Overall Rating: 10/10.

Previous Episode: For the Uniform
Next Episode: By Inferno's Light


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