Showing posts with label Cecily Adams. Show all posts
Showing posts with label Cecily Adams. Show all posts

Monday, May 25, 2015

6-23. Profit and Lace.

Quark as a Ferengi female. Some things you just can't unsee.

THE PLOT

Quark is surprised at the arrival to the station of his mother, Ishka (Cecily Adams) and the Grand Nagus, Zek (Wallace Shawn). He's even more surprised when they tell him Zek has been deposed. At Ishka's prodding, he decided to revoke the Ferengi ban on women wearing clothing, thus allowing them full access to Ferengi society. The response was panic throughout the Ferengi Alliance, which has turned for deliverance to Zek's rival, the loathsome Brunt (Jeffrey Combs).

Zek and Ishka have a plan. They will contact every member of the Ferengi Commerce Authority, counting on gratitude for past aid to make them throw their support behind Zek. There's only one flaw: Ferengi society isn't built around gratitude, and most of the dignitaries hang up as soon as Zek's name is mentioned.

One influential member does agree to come meet with them, however: Nilva (Henry Gibson), founder of Sluggo Cola. His voice and profit margin are such that his support alone will be enough to return Zek to the throne. They are certain that a meeting with Ishka will convince Nilva of the wisdom of letting females into society. But before Nilva can arrive, Ishka gets into an argument with Quark - which ends in a heart attack, leaving her alive but in no fit state to meet anyone.

Which leads them to Plan B: If they don't have a brilliant Ferengi female to meet with Nilva, they will make one... Out of Quark!


CHARACTERS

Capt. Sisko: Just one episode ago, we saw Sisko trying to enlist Zek's help against the Dominion, yet here he doesn't even appear to notice that both Zek and his rival have arrived on the station. One can imagine an alternative, smarter version of the episode in which Sisko makes the pragmatic choice to try to win the support of Brunt, the apparent new Nagus, forced to ally with this loathsome toad in his scheming against Quark and Zek - Sort of a comedy counterpoint to In the Pale Moonlight. As it stands, Sisko is limited to a single scene in which he does nothing of interest.

Quark: As with all Quark-centric episodes, Armin Shimerman's performance is the greatest asset. The moment in which he stands up to the gloating Brunt, kicking him out of his bar with the only effective repetition of the episode's "acting Nagus" gag, sees him genuinely heroic... Just before he disappears into his quarters to lie in the fetal position. He trades venomous barbs with his mother, whose feminism he blames for Zek's downfall and his likely impending ruin - but when she collapses under the weight of his anger, he is horrified (though equally eager to hide his own culpability).

Brunt: Jeffrey Combs is deliciously malignant as Brunt, and one of the few genuinely good things about Profit and Lace is that it returns Brunt to his former status as a proper adversary. Watching Brunt swan around with the Nagus' stick in hand, gloating to his enemies as he plots their future ruin, it's obvious that the worst possible man has been put in charge of Ferengi society.

Grand Nagus: At least Zek isn't quite as pathetic here as he was in Ferengi Love Songs. Ishka may be the centerpiece of the plot to restore his position, but he's an active part of the plotting and scheming, rather than just a muddle-brained figurehead. I could have lived without the scenes of him leering at Leeta and, later, at Quark-as-a-woman, and anything that ever worked about this character has long since drained away... But he's easier to take here than in his last appearance.


THOUGHTS

As can probably be seen by this point, I do not in any way agree that Profit and Lace is the "worst episode ever" of Deep Space 9. It's not good, and more gags miss than hit. But it does offer a couple good performances, particularly by Shimerman and Combs, and at least reps an improvement over the previous Zek/Ishka horror, Ferengi Love Songs.

If that doesn't sound like a ringing endorsement... Well, it isn't. But I've only liked a couple of episodes featuring Zek, and I haven't like any in which Ishka had more than a cameo. So when I say I found this episode to be reasonably watchable... Well, let's say that was enough in itself to exceed my expectations.

The show does open on a particularly bad note. The teaser sees Quark sexually harass a pretty young employee, threatening to fire her if she does not perform Oo-Moxx on him. The scene has nothing to do with the plot, its only payoff an extremely feeble joke at the very end. It's there only to make Quark unlikable enough so that we'll want to see him humiliated - And since this isn't Quark's normal behavior, it feels as wrong for the character as it is uncomfortable to watch.

That scene aside, the first half is passable. The scene in which Quark, Rom, and Nog try to get members of the Ferengi Commerce Authority to come to the station, only to have every contact insult them and hang up, is briskly-edited and quite amusing. Brunt is presented at his most obnoxious, putting us firmly on Zek's side by default, and each scene manages to stack the odds just a little bit higher against Quark & company.

The second half is genuinely awful. I'm not sure there was much comic mileage out of "Quark in a dress" to start with, and there's not one fresh or original moment. Between Zek hitting on Quark and Nilva chasing Quark around a table in a way that was tired in silent comedies, it becomes borderline embarrassing.

So, yes: I'm definitely giving Profit and Lace a below average rating. Still, given its extraordinarily poor reputation, I was pleasantly surprised to find it watchable. As an hour of Deep Space 9, it's mediocre at best - and "mediocre" is generous. But it isn't torture to watch, and it is very far from the series' worst.


Overall Rating: 3/10.

Previous Episode: Valiant
Next Episode: Time's Orphan

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Saturday, October 11, 2014

6-10. The Magnificent Ferengi.

Quark takes on the Dominion. Or as Rom puts it: "We'll all die!"

THE PLOT

Quark receives a message from the Grand Nagus: His mother, Ishka (Cecily Adams), has been captured by the Dominion. As if that wasn't bad enough, the Nagus has given Quark a directive - To personally rescue her.

Rom sensibly recommends they hire Naussican mercenaries to take on the task. But Quark is feeling slighted. The deeds of Starfleet officers get all the attention, while Quark's efforts on the station's behalf are all but ignored. That stokes his Ferengi pride, and he declares a course that strikes Rom as suicidal: To mount an all-Ferengi rescue mission.

Starfleet-trained Nog makes a valiant effort to make commandos out of a band of Ferengi outcasts, but it's clear that this group will never be able to get through Jem'Hadar soldiers. That's when Quark realizes that they must play to the strengths of the Ferengi. He needs to forget a military assault, and instead open a negotiation, using one of the few bargaining chips the station has to offer: The cowardly but slippery Keevan (Christopher Shea), the Vorta captured by Sisko months earlier.

Keevan is less than thrilled about being traded back to the Dominion. Vorta are supposed to commit suicide rather than allowing themselves to be taken prisoner - Meaning that the only welcome he can expect is a long and agonizing death...


CHARACTERS

Capt. Sisko: After Kira directly voices her support for Quark, Sisko grants permission for the Ferengi to use Keevan as a bargaining chip. Both Kira's recommendation and Sisko's agreement to give up a valuable prisoner demonstrate just how much their view of Quark has changed in light of his actions during the recent occupation.

Quark: Has always had an enormous sense of pride in being a Ferengi, which makes it believable that he wants to show that his people are capable of acts of heroism. Whatever else Quark may be, he is a natural leader. He doesn't come up with the specific ideas for the rescue. It is Rom who recognizes that they need to act like Ferengi to succeed, and it is Nog who comes up with the idea of fooling Yelgren (Iggy Pop), the Vorta in charge of trading Ishka for Keevan. But Quark is the one who keeps the group moving forward at every turn, and is the one who deals directly with Yelgren. He is the definite leader of this band of miscreants, and fully deserves it when his mother and brother express pride in him at the end.

Rom: Continues to follow his brother's lead, almost by default. He is able to steer Quark in the right direction - encouraging him to barter with the Dominion rather than try to fight, for example. But for the most part, he is there to support Quark in gathering his Magnificent Ferengi and in completing the mission. Rom can't lie to save his life, though, and almost destroys the entire exchange by letting slip that the reward promised by the Nagus is much larger than Quark is letting on.

Nog: Continually tries to execute the mission in the manner of a Starfleet military operation. He barks out orders, much to the scorn of the other Ferengi, and is taken aback when Quark gets his band to move "on the double" by promising latinum. Rom expresses pride in him, exclaiming, "My son, the soldier!" Quark is simply disgusted: "They've ruined him."

Brunt: No longer Liquidator, in the wake of his failed attempt to unseat the Grand Nagus, Brunt is now powerless enough to actually turn to Quark. Not surprisingly, Quark's first inclination is to tell his one-time nemesis where to shove it, but Brunt has something the rest of them do not: A ship. It's thin justification for adding Brunt to the mix; I find it hard to believe Quark couldn't lay his hands on a ship on very short notice, and he certainly could do so once Sisko gave the mission his blessing. But Jeffrey Combs is so much fun, I can't regret it. I'm just sorry that Weyoun couldn't have been in the episode as well, so that we could have had a double-dose of his two great DS9 villains.

Keevan: The memorably despicable Vorta from Rocks and Shoals reappears here. He's still driven by a desire to save his own skin, which now means resisting the attempts to trade him back to the Dominion. He tries to talk the Ferengi out of completing the trade, noting that Yelgren will certainly kill them all either before or after the hostage exchange. When that doesn't work, he attempts to flee - an attempt thwarted only by Quark's foresight in having Rom disengage key ship functions. Keevan's final words of the episode are a perfectly disgusted and, in context, hilarious sigh of: "I hate Ferengi!"


THOUGHTS

Readers of my reviews know that I have a rocky relationship with Ferengi episodes. I've enjoyed some individual pieces, such as Prophet Motive and Bar Association, but have found many others (such as anything involving Quark's mother) to be tedious and unfunny.

Even so, I found myself looking forward to The Magnificent Ferengi. It's an episode with a good reputation, scripted by the reliable Ira Steven Behr and Hans Beimler. Besides, the notion of almost all of the series' recurring Ferengi banding together for a mission against the Dominion is irresistible.

Fortunately, the episode easily lives up to its reputation. It is fast-paced, clever, and very funny. While the recurring Ferengi supporting characters only get enough time to establish themselves as "types," each does get a chance to amuse. I particularly enjoyed Leck (Hamilton Camp), a Ferengi psycopath who acts as an "Eliminator," who appalls Quark and Rom - not because he kills, but because he cares more for the challenge of the kill than for the money he is paid to do it. Brunt and Gaila (Josh Pais), Quark's gunrunning cousin, return, and both have suffered for their past encounters with Quark in ways that make them fit into this episode, but that are also entirely consistent with where we last saw them. Rom and Nog both get plenty of fun moments, while Quark makes as engaging an anti-hero as ever.

The snappy pace is a big key to this show's success. Unlike Ferengi Love Songs or Family Business, this script zips along, piling one complication on top of another. There's a constant forward momentum, with no wasted scenes and no chance for the action to drag. The gags are worked seamlessly into a tight, expertly-structured narrative; and while some have found the final gag involving Keevan and a bulkhead to be in bad taste, I have to admit to laughing uproariously at this final indignity visited on a man who is, after all, one of the most despicable recurring characters in Trek history.

I could carp about Iggy Pop's casting, as he gives one of the weakest performances on this show in recent memory... but even there, his low voice and bemused attitude somehow "fit." And what can be said against an episode where even Ishka didn't annoy me?

All in all, while this doesn't quite live up to the greatest Quark episodes, such as The House of Quark and Little Green Men, this episode remains a sprightly delight. Highly recommended.


Overall Rating: 8/10.

Previous Episode: Statistical Probabilities
Next Episode: Waltz

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Sunday, February 23, 2014

5-20. Ferengi Love Songs.

Quark's mother, in love with the Grand Nagus.

THE PLOT

With his bar closed due to a vole infestation, Quark falls into a deep depression. At Rom's urging, he returns home to Ferenginar, much to the dismay of his mother, Ishka (Cecily Adams, taking over for Andrea Martin). He has barely arrived before he discovers someone lurking in his closet: Grand Naguz Zek (Wallace Shawn), who is in a secret relationship with Ishka.

Quark senses an opportunity to use the relationship to have his FCA license restored. When the Nagus refuses, however, Quark falls under the venomous sway of Liquidator Brunt (Jeffrey Combs). Brunt promises to issue a new business license if Quark sabotages the relationship between Zek and Ishka. It's a despicable act, one Quark is all too happy to commit - until he realizes that Zek is slipping into senility, and that it is actually his mother's advice that is enabling the Nagus to hold the Ferengi government together.

Meanwhile, Rom and Leeta announce their marriage. Rom agrees to a traditional Bajoran ceremony. But when some ill-advised words from Chief O'Brien lead him to think that Leeta should agree to some Ferengi marital traditions as well, he picks the wrong one: a prenuptial agreement that would deny her the right to hold any property whatever. When Rom insists, Leeta announces that the wedding is off!


CHARACTERS

Capt. Sisko: Just to add insult to the injury that is this terrible episode, we get a quick aside in which Sisko is mediating between Worf and Odo. The issue at hand involves Klingon General Martok's difficulties adjusting to life on Deep Space 9. It's a fun little scene, well-performed by all three - and enormously frustrating, because that would have been a much better plot than either of the ones actually follows.

Quark: We discover here that he's actually miserable in the wake of the FCA blacklisting and hates his life... Which would ring far truer if he hadn't seemed emotionally fine in every other episode this season. Quark is horrified to admit that he has any sort of conscience, despite many previous episode showing him doing decent things in full awareness of what he's doing. But then, this isn't the real Quark, this isn't the Quark who stood up to Sisko for his people being better than humans or the Quark who wrestled with a hard-fought internal battle between profit and saving innocent lives just two episodes ago. No, this is Quark as caricature, reduced to a joke character to further some bad comedy. Armin Shimerman does his best, as always, but there's just no saving the material.

Grand Nagus: While I was never a big fan of Zek in previous episodes, there at least was a bit of an edge to him. He was genuinely shrewd and manipulative, which kept him from being an entirely "safe" comedy character. This episode reduces him to exactly that. Giving Zek Ferengi Alzheimer's isn't entirely without merit as a plot turn - but not when that concept is used solely as an excuse for "senile old man" humor, as is the case here. Making matters worse is the portrayal of the love affair between Zek and Ishka, with the two cooing at each other in a manner that's not simply undignified, but leaves both characters downright infantilized. I never looked forward to a Zek appearance before; but now, I suspect I'll be outright dreading future guest spots.


THOUGHTS

After Business As Usual followed in the footsteps of some solid Season Four offerings, showing how enjoyable a Quark-centric episode with a bit of edge and bite can be, Ferengi Love Songs helpfully reminds us just how tedious and soul-sucking a toothless Ferengi "comedy" can be. We revisit Quark's mother, last seen played by Andrea Martin in Season Three's dreary Family Business. The change of actress has not made the character any more endearing, though in fairness to actress Cecily Adams, the problem isn't her - I just find the character to be entirely grating.

The episode really is just two jokes, alternating back and forth: two old Ferengi in love (because old people in love = comedy, particularly when they act like children), and the Nagus slipping into senility (because real life senility is such comedy gold). The "B" plot is actually even worse, with Rom attempting to push Leeta into being a proper Ferengi wife... which predictable results, only to reach a predictable conclusion.

The ever-reliable Jeffrey Combs manages to inject a few chuckles into his too-brief appearances as Brunt. Even Brunt manages to be entirely neutered by this episode, though, reduced to hiding in Quark's closet while practicing his evil laugh. The end of the episode has Quark treating his threats as a joke.  What a way to treat the first and only genuinely menacing Ferengi in all of Star Trek: de-clawing him for the sake of a few cheap (and unfunny) gags.

All told, I would rank Ferengi Love Songs as the worst episode of the season. Yes, in my opinion, even worse than Let He Who Is Without Sin... I was reduced to watching this in installments, simply because I could only take ten minutes or so of it at a time, and I will be very happy to never go anywhere near this episode, ever again.


Overall Rating: 1/10.

Previous Episode: Ties of Blood and Water
Next Episode: Soldiers of the Empire

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