Showing posts with label FCA. Show all posts
Showing posts with label FCA. Show all posts

Monday, May 25, 2015

6-23. Profit and Lace.

Quark as a Ferengi female. Some things you just can't unsee.

THE PLOT

Quark is surprised at the arrival to the station of his mother, Ishka (Cecily Adams) and the Grand Nagus, Zek (Wallace Shawn). He's even more surprised when they tell him Zek has been deposed. At Ishka's prodding, he decided to revoke the Ferengi ban on women wearing clothing, thus allowing them full access to Ferengi society. The response was panic throughout the Ferengi Alliance, which has turned for deliverance to Zek's rival, the loathsome Brunt (Jeffrey Combs).

Zek and Ishka have a plan. They will contact every member of the Ferengi Commerce Authority, counting on gratitude for past aid to make them throw their support behind Zek. There's only one flaw: Ferengi society isn't built around gratitude, and most of the dignitaries hang up as soon as Zek's name is mentioned.

One influential member does agree to come meet with them, however: Nilva (Henry Gibson), founder of Sluggo Cola. His voice and profit margin are such that his support alone will be enough to return Zek to the throne. They are certain that a meeting with Ishka will convince Nilva of the wisdom of letting females into society. But before Nilva can arrive, Ishka gets into an argument with Quark - which ends in a heart attack, leaving her alive but in no fit state to meet anyone.

Which leads them to Plan B: If they don't have a brilliant Ferengi female to meet with Nilva, they will make one... Out of Quark!


CHARACTERS

Capt. Sisko: Just one episode ago, we saw Sisko trying to enlist Zek's help against the Dominion, yet here he doesn't even appear to notice that both Zek and his rival have arrived on the station. One can imagine an alternative, smarter version of the episode in which Sisko makes the pragmatic choice to try to win the support of Brunt, the apparent new Nagus, forced to ally with this loathsome toad in his scheming against Quark and Zek - Sort of a comedy counterpoint to In the Pale Moonlight. As it stands, Sisko is limited to a single scene in which he does nothing of interest.

Quark: As with all Quark-centric episodes, Armin Shimerman's performance is the greatest asset. The moment in which he stands up to the gloating Brunt, kicking him out of his bar with the only effective repetition of the episode's "acting Nagus" gag, sees him genuinely heroic... Just before he disappears into his quarters to lie in the fetal position. He trades venomous barbs with his mother, whose feminism he blames for Zek's downfall and his likely impending ruin - but when she collapses under the weight of his anger, he is horrified (though equally eager to hide his own culpability).

Brunt: Jeffrey Combs is deliciously malignant as Brunt, and one of the few genuinely good things about Profit and Lace is that it returns Brunt to his former status as a proper adversary. Watching Brunt swan around with the Nagus' stick in hand, gloating to his enemies as he plots their future ruin, it's obvious that the worst possible man has been put in charge of Ferengi society.

Grand Nagus: At least Zek isn't quite as pathetic here as he was in Ferengi Love Songs. Ishka may be the centerpiece of the plot to restore his position, but he's an active part of the plotting and scheming, rather than just a muddle-brained figurehead. I could have lived without the scenes of him leering at Leeta and, later, at Quark-as-a-woman, and anything that ever worked about this character has long since drained away... But he's easier to take here than in his last appearance.


THOUGHTS

As can probably be seen by this point, I do not in any way agree that Profit and Lace is the "worst episode ever" of Deep Space 9. It's not good, and more gags miss than hit. But it does offer a couple good performances, particularly by Shimerman and Combs, and at least reps an improvement over the previous Zek/Ishka horror, Ferengi Love Songs.

If that doesn't sound like a ringing endorsement... Well, it isn't. But I've only liked a couple of episodes featuring Zek, and I haven't like any in which Ishka had more than a cameo. So when I say I found this episode to be reasonably watchable... Well, let's say that was enough in itself to exceed my expectations.

The show does open on a particularly bad note. The teaser sees Quark sexually harass a pretty young employee, threatening to fire her if she does not perform Oo-Moxx on him. The scene has nothing to do with the plot, its only payoff an extremely feeble joke at the very end. It's there only to make Quark unlikable enough so that we'll want to see him humiliated - And since this isn't Quark's normal behavior, it feels as wrong for the character as it is uncomfortable to watch.

That scene aside, the first half is passable. The scene in which Quark, Rom, and Nog try to get members of the Ferengi Commerce Authority to come to the station, only to have every contact insult them and hang up, is briskly-edited and quite amusing. Brunt is presented at his most obnoxious, putting us firmly on Zek's side by default, and each scene manages to stack the odds just a little bit higher against Quark & company.

The second half is genuinely awful. I'm not sure there was much comic mileage out of "Quark in a dress" to start with, and there's not one fresh or original moment. Between Zek hitting on Quark and Nilva chasing Quark around a table in a way that was tired in silent comedies, it becomes borderline embarrassing.

So, yes: I'm definitely giving Profit and Lace a below average rating. Still, given its extraordinarily poor reputation, I was pleasantly surprised to find it watchable. As an hour of Deep Space 9, it's mediocre at best - and "mediocre" is generous. But it isn't torture to watch, and it is very far from the series' worst.


Overall Rating: 3/10.

Previous Episode: Valiant
Next Episode: Time's Orphan

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Sunday, December 16, 2012

4-16. Bar Association.

Liquidator Brunt (Jeffrey Combs) of the Ferengi Commerce Authority.

THE PLOT

It's the Bajoran Time of Cleansing, a month-long period in which the Bajorans abstain from worldly pleasures... which puts a severe dent in the business at Quark's bar. Seeing his profit margin slipping, Quark decides to make up the difference in time-honored Ferengi fashion: By exploiting his employees. He gathers his workers and announces that he is going to cut their pay by a third, snapping at Rom when he dares to protest.

An offhand comment by Dr. Bashir leads Rom to consider a drastic means of retaliation. He holds an employee meeting and calls on them to create a union and go on strike. But Ferengi law does not smile on labor unions, and it isn't long before the dreaded Ferengi Commerce Authority turns its gaze toward this dispute. Quark's old adversary, Liquidator Brunt (Jeffrey Combs), arrives with a promise to end the strike - "by any means necessary!"


CHARACTERS

Capt. Sisko: When the strike begins to cause disruption among his officers, he sits down with Quark to push the Ferengi to settle the situation. Quark balks, so Sisko shifts gears and intimidates him instead. He threatens to hold Quark accountable for five years' worth of back rent, power, and maintenance unless the Ferengi sits down with his brother to hammer out an agreement.

Quark: The first half of the episode shows him at his most grasping, and his treatment of Rom is outright cruel. Quark never considers trying to deal with Rom's strike with violence, however. Once Brunt and the FCA become involved, Quark instantly worries about Rom. He begs Rom to give in before he gets hurt, and is clearly uncomfortable when Brunt begins musing about "sending a message." In the end, Quark is able to solve the problem he helped create by using his Ferengi ingenuity.

Worf: Continues to find life on Deep Space 9 "unsettling." When he catches a thief stealing from his quarters, he confronts Odo about the lax security on the station. Things like this, he says, never happened on the Enterprise - which hilariously prompts Odo to read from a datapad a few of the Enterprise's's highlights during the time Worf was in charge of security. Worf resolves his issues, at least for now, by moving his quarters to the Defiant. Meanwhile, his flirtation with Dax continues to grow, as the writers wisely build on the chemistry Michael Dorn and Terry Farrell have demonstrated in previous episodes.

O'Brien: Gets a terrific little scene in which he responds to Rom's plan to form a union with enthusiasm. He recalls an ancestor who led a coal miner's strike in Pennsylvania. All the workers' demands were met - but O'Brien's ancestor didn't live to see it happen. The scene is still funny, particularly Rom's reaction to hearing about the union leader's fate, but it also has a bit of added texture that the rest of the episode lacks.

Rom: Season Four has been very good to Rom. He already worked as a sparring partner for Quark, but he has steadily emerged as a strong character in his own right. The show has gradually demonstrated since Season Two how strong Rom's technical skills are, and his Season Three appearances started to show that he was a lot smarter than his brother gives him credit for. In this episode, he finally stands up to Quark and shows genuine courage and leadership skills.

Leeta: Moves from a background character to a significant supporting role, acting as Rom's second once he forms the union. She admits to being surprised by Rom's courage, but she is entirely supportive of him throughout the show. Chase Masterson is appealing, and plays so well opposite Max Grodenchik that I wouldn't mind seeing this relationship developed further.


THOUGHTS

Last week, I reviewed False Profits, a Voyager episode centered around the Ferengi. This week, I find myself reviewing a Ferengi episode of Deep Space 9 - and the difference between these stories strongly reflects the difference between these two shows. False Profits saw two Ferengi guest characters behaving like pretty typical, one-dimensional Ferengi. Some of the gags were funny, some weren't, but with everything played for laughs there was no real added dimension to carry the show through the jokes that misfired.

Bar Association seems on the surface to be a typical Ferengi comedy. Quark is at his most greedy and selfish, and even Rom initially struggles to get the word "union" past his throat even as he forms one. But there's added depth here, and that goes beyond the regulars. Quark and Rom are established characters who have depth, but even the Ferengi guest characters show more dimensions than Voyager's guest Ferengi in the other show. One of the Ferengi employees reacts to the FCA's arrival by falling to his knees and begging for mercy - but the other Ferengi do not. Meanwhile, Brunt in this episode may be the first Ferengi to actually succeed in being sinister, as he plots violence in a matter-of-fact manner, all the while keeping a crafty grin on his face. Instead of one, monolithic personality for all Ferengi, each speaking Ferengi has his own persona.

The "B" plot with Worf also works well. Writers Ira Steven Behr and Robert Hewitt Wolfe build on issues Worf has had in previous episodes, principally his problems with being constantly surrounded by disorder. When Dax tells him that he will have to adjust eventually, Worf replies with strength: "Maybe it is all of you who will have to adjust to me." Even so, Worf gets a deserved smackdown from Odo when he tries to claim that Deep Space 9's security is more lax than Enterprise's.

This wasn't an episode I was looking forward to - but all in all, it was surprisingly entertaining. As with almost any Ferengi comedy, not all of the gags work. But with the character depth and the building character relationships, there is plenty of genuine interest to keep the episode going even when a joke falls flat - and the raising of the stakes, with Brunt and his Naussicans presenting a genuine threat in the latter half, keeps momentum building instead of letting it lie flat as so many "comedy episodes" do.


Overall Rating: 7/10

Previous Episode: Sons of Mogh
Next Episode: Accession

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Monday, February 20, 2012

3-23. Family Business.

Quark and his dysfunctional family.

THE PLOT

Liquidator Brunt (Jeffrey Combs) of the Ferengi Commerce Authority appears in Quark's bar and immediately posts a Writ of Accountability by the door. When a panicked Quark asks what the charges are, Brunt informs him that his mother, Ishka (Andrea Martin), has violated Ferengi law by earning a profit, something which is forbidden to women. Quark now has three days to get her to confess her crimes, or else she will be sentenced to indentured servitude and he will be responsible for making restitution.

But that's only the tip of the iceberg. As Quark looks into his mother's finances, he discovers the shocking truth: Ishka has assembled a financial empire. And if the FCA uncovers what Quark has, then he'll be broke forever!


CHARACTERS

Commander Sisko: A "B" plot sees Sisko finally meeting Kasidy Yates (Penny Johnson), the freigher pilot Jake mentioned in Explorers. The first half of the episode, we see some labored comedy scenes in which Sisko learns that Jake has told "everybody" on the station about Kasidy. But once the two characters finally do meet, they share a couple nice scenes that help keep this episode from being a total write-off.

Quark: Armin Shimerman gives a good performance, but this particular script focuses on all of Quark's worst characteristics. He is greedy and self-centered, concerned only about his mother insofar as her activities will affect him. He's rude to both mother and brother, while making a fawning display of himself around Liquidator Brunt. Where is the dignified Ferengi who stood up for his people as "better" than humans and who showed both cunning and courage before the Klingon High Council?  This version of Quark is a two-dimensional construct, a Frank Burns figure whose main purpose is to make clear that anything he stands for must be, by definition, Wrong.

Rom: Though Quark's characterization is poor, Max Grodenchik's Rom gets a rather good episode. Grodenchik is the saving grace of the "A" plot. He tries to act as the peacemaker between his mother and his brother, working to calm Quark while standing up for Quark's good qualities (unseen here). As the family conflict spins out of control, Rom finds his backbone again, the same way he did in defense of his son's ambitions to join Starfleet, and stands up to both of his family members.

Cassidy Yates: Penny Johnson's first appearance as freighter captain Kasidy Yates. Johnson, who went on to notable television success in 24, is terrific, conveying confidence and competence without ever showing that she's playing a part. She's completely naturalistic, and if anything slightly overshadows Avery Brooks in their scenes together. What we see here is pretty surface-level stuff, but I do look forward to getting to know this character better as the series progresses.


THOUGHTS

Ugh. A combination of labored sitcom material and heavy-handed drama on issues that may have been very relevant in the 1960's and '70's. After a run of pretty high quality episodes, including the previous Ferengi-centered one, Family Business lands like a lead weight.

I will give some marginal credit where it's due. Ira Steven Behr and Robert Hewitt Wolfe's script makes a legitimate effort to give us a Ferengi episode that isn't played principally for laughs. It starts out with weak comedy, but by the midpoint it has firmly transitioned to a serious episode that happens to be about Ferengi.

Unfortunately, weak drama isn't particularly preferable to weak comedy. Armin Shimerman, Max Grodenchik, and Andrea Martin are all very good, and they do their best to breathe life into this story. But a few clever side bits notwithstanding, the script alternates between cliched family dynamics and a message of Equality Between the Sexes that seems out of date for the mid-1990's. It's predictable, slow-paced, and more than a little dull - and it ends too easily, with a pat ending.


Overall Rating: 3/10

Previous Episode: Explorers
Next Episode: Shakaar

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